Well, in 'The Catcher in the Rye' by J.D. Salinger, Holden Caulfield doesn't really have traditional 'last words' in the book, but he does say some very profound things towards the end that could be considered his final thoughts. He talks about how he misses the people he's met and how he's kind of grown up a bit. It's not so much a death - bed statement but more of a closing - of - a - chapter statement. He says things like 'Don't ever tell anybody anything. If you do, you start missing everybody.' which shows his new - found understanding of human connection and his own loneliness.
In 'A Tale of Two Cities' by Charles Dickens, Sydney Carton's last words are 'It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.' These words show his self - sacrifice and redemption.
In 'The Great Gatsby' by F. Scott Fitzgerald, Gatsby's last words before he is killed are 'So we beat on, boats against the current, borne back ceaselessly into the past.' These last words are very symbolic. They represent Gatsby's unwavering pursuit of his dream, which was ultimately tied to the past, and how futile his efforts were in the face of the cruel reality.
Fictional last words can also leave a mystery or make the reader think more deeply. In 'Frankenstein' by Mary Shelley, the Monster's last words or disappearance at the end make the reader wonder about his fate and the implications of his creation. It makes us question the ethics of what Victor Frankenstein did and what the future might hold for such a being. It's these last words or final actions that keep the story alive in the reader's mind long after they've finished the book.
Well, 'fabricated' and 'invented' are good choices. 'Fabricated' suggests something that is created or constructed falsely, while 'invented' implies coming up with something new and not based on reality. Both are similar to 'fictional'.
Yes, The Last Kingdom is fiction. It's based on historical events and figures but takes creative liberties to form an engaging story.
Yes, The Last Kingdom is fictional. It's based on historical events and figures but takes creative liberties to form an engaging story.
Fiction tome. 'Tome' gives a sense of a large, substantial book, and when combined with 'fiction', it refers to a big fictional book. For example, a thick epic fantasy novel could be described as a fiction tome.
Sure. 'Gone Girl' by Gillian Flynn has a similar level of psychological thriller elements. It keeps you guessing with its complex characters and plot twists. Another one could be 'The Girl on the Train' which also has an unreliable narrator and a mystery to unfold.
In 'The Name of the Rose' by Umberto Eco, there are mentions of various fictional books that were supposedly in the abbey's library. These mentions help create the complex and erudite world of the medieval monastery and the intellectual pursuits within it. They also play a role in the mystery and intrigue that unfolds as the detective - like monk tries to solve the murders that are taking place. By referring to these fictional books, Eco is able to add depth to the historical and cultural context of the story.
Words like fiction, mission, and vision have a rhyming quality with fictional. The rhyming depends on the vowel and consonant sounds at the end of the words.
Some rhymes for fictional are 'itional', for example 'rational' and 'otional'. Also, 'issional' as in 'missional' and 'passional' can rhyme. It depends on how strict you want the rhyming to be.
Well, 'The Catcher in the Rye' can be considered. Holden Caulfield's final words and the overall ending of the novel give a sense of both hope and the continuance of his journey through life. Then there's '1984' by George Orwell. The last words are extremely powerful in terms of the overall dystopian message of the book. And 'Brave New World' by Aldous Huxley also has a memorable ending which reflects on the society it has depicted.