How can one apply 'don't let the truth ruin a good story' in writing fiction?

One way is to focus more on the emotions and themes of the story rather than strict facts. For example, if you're writing a love story set in a fictional world, you don't need to worry about the exact geographical or scientific facts of that world.

One way is to play with the facts. You can change the time period or the setting slightly to make the story more interesting. For instance, if you're writing a love story set in the present day, you could move it to a more romantic era like the 1920s. This gives you more scope for creating a good story without being too bound by the modern - day truth. Also, you can add fictional elements like a magical object that helps the characters. As long as it serves the story well, it doesn't matter if it's not true in real life.

In modern writing, you can use it by not being overly pedantic about facts. For example, in a science - fiction story, you can create your own rules and not worry if they don't match real - world science exactly.

It means that sometimes, for the sake of a great narrative, we shouldn't let the cold, hard facts get in the way. For example, in fictional stories, we often suspend our disbelief and accept the made - up world. If we were to constantly apply real - world logic and facts, it could destroy the magic of the story.

The quote implies that the pursuit of pure truth might make a story less appealing. A storyteller can use imagination and embellishments to create a narrative that entertains or has a greater impact, rather than being limited by strict factual accuracy.

One way is to be liberal with facts. For example, if you're writing a historical fiction, you can change some minor historical details to fit your plot better. Just make sure not to distort the overall essence of the era.

The truth might not fit the narrative or the expectations we have for the story. It could disrupt the flow or change our perception of the characters and events in a way that spoils the enjoyment.

It means that sometimes people prefer a fictional or exaggerated version of a story rather than the version based strictly on facts. They don't want the cold, hard facts to disrupt the interesting or exciting narrative they have in mind.

It basically means that sometimes you should focus on the entertainment or appeal of a story rather than getting too hung up on whether everything is strictly factual.

He meant that sometimes in storytelling, strict adherence to facts can limit creativity. A good story might be more engaging if it bends or ignores some facts for the sake of entertainment or making a point.