Well, it implies that a good story has its own charm and allure. The truth can be harsh or boring in comparison. Let's say you're telling a heroic adventure story. If you start adding in all the nitty - gritty real - life limitations and facts like how difficult it really is to climb a mountain without proper gear in the real world, it might spoil the exciting adventure in the story. So, we should keep the story intact and not let truth disrupt it.
It means that sometimes, for the sake of a great narrative, we shouldn't let the cold, hard facts get in the way. For example, in fictional stories, we often suspend our disbelief and accept the made - up world. If we were to constantly apply real - world logic and facts, it could destroy the magic of the story.
The quote implies that the pursuit of pure truth might make a story less appealing. A storyteller can use imagination and embellishments to create a narrative that entertains or has a greater impact, rather than being limited by strict factual accuracy.
It means that sometimes people prefer a fictional or exaggerated version of a story rather than the version based strictly on facts. They don't want the cold, hard facts to disrupt the interesting or exciting narrative they have in mind.
It basically means that sometimes you should focus on the entertainment or appeal of a story rather than getting too hung up on whether everything is strictly factual.
This statement implies that a good story can be more important than the factual truth. People like to be entertained, and a well - crafted story can do that better than just stating the facts. Take folk tales for instance. They are passed down through generations not because they are strictly true, but because they make for great stories that teach lessons, inspire, or just amuse. The truth might be too dull or complex to have the same impact.
He meant that sometimes in storytelling, strict adherence to facts can limit creativity. A good story might be more engaging if it bends or ignores some facts for the sake of entertainment or making a point.
It means don't spoil a great war story. Maybe by adding false details, or over - analyzing it in a way that takes away from its essence.
In writing fiction, you can use the concept by being creative with the plot. Ignore some real - life limitations. Suppose you're writing a story about a character who can fly. Don't let the fact that humans can't fly in real life stop you. Build a world around this ability and make it believable within the context of your story. You can also exaggerate certain elements for dramatic effect without being hindered by the truth.
It means that sometimes people prefer to stick to an interesting or fictional narrative rather than let the boring or inconvenient truth disrupt it. For example, in fictional stories, authors might take some liberties with historical facts to make the story more engaging.
Well, it implies that a good story is more important than the truth in some cases. Take folk tales or legends, for instance. They are full of elements that may not be strictly true but are there to convey a moral or just to be an exciting story. People like to be entertained, and if the truth gets in the way of that entertainment, this saying suggests that the truth can be sacrificed for the sake of a great story.
Well, it could imply that a good story has its own value regardless of the truth. In some cases, like in fairy tales or legends, the story is more about entertainment and passing on certain cultural values rather than being strictly factual. So, we don't let the harsh or boring truth get in the way of a great narrative. For instance, in the story of Cinderella, there are magical elements that are clearly not true but make the story so much more appealing.