Old English stories often have a strong sense of heroism. For example, in 'Beowulf', the hero shows great courage in the face of terrifying monsters. They also usually involve elements of the supernatural. In 'Sir Gawain and the Green Knight', the Green Knight has an otherworldly quality.
Many old English stories were orally transmitted before being written down. So, they tend to have a rhythmic and repetitive quality that made them easier to remember. For instance, the use of alliteration was common. Also, they were deeply influenced by the Christian religion. 'The Dream of the Rood' is full of religious symbolism.
Old English stories typically reflect the values of the society at that time. They might show the importance of loyalty, as in the relationships between knights in chivalric stories. And they often had a simple narrative structure, with a clear beginning, middle and end, like in many of the tales from 'The Canterbury Tales'.
Old English literature stories often have a strong sense of heroism. For example, in 'Beowulf', the hero is portrayed as fearless in the face of great monsters. They also tend to be very much influenced by the Anglo - Saxon culture and values at that time. Many stories were passed down orally before being written down, so they have a certain rhythm and repetition that made them easier to remember. Another characteristic is the use of alliteration, like in many of the Old English poems.
Old English love stories often involve a strong sense of honor. For example, in the story of Tristan and Isolde, their love was a secret because of the honor codes they had to follow. Also, they are usually set in a feudal or chivalric context. Knights and lords play important roles, and love is often intertwined with loyalty to one's lord or kingdom. Another characteristic is the presence of fate. Lovers seem to be at the mercy of fate, like in many of the Arthurian legends where the lovers' fates are predetermined by prophecies or the will of the gods.
Well, old English novels usually have elaborate plots. They are not simple and straightforward. In 'The Scarlet Letter' by Nathaniel Hawthorne, the plot twists and turns around the sin and redemption of the characters. Their writing styles can be very formal and elegant. 'The Picture of Dorian Gray' by Oscar Wilde has a very refined writing style. And they often explore deep human emotions like love, envy, and revenge.
Old English novels often have complex language. They may use archaic words and sentence structures. For example, in 'Beowulf', there are many words that are not commonly used today. Also, they usually focus on themes like heroism, morality, and the relationship between man and nature.
The settings in old English romance novels are typically very important. They are often set in English manors, small villages, or historical periods. This provides a backdrop for the love stories. In 'Romeo and Juliet', the Verona setting adds to the sense of fate and the forbidden nature of their love. Moreover, moral and ethical themes are often intertwined with the love stories, as in 'The Scarlet Letter' where the concept of sin and redemption is linked to the romantic relationship.
Many of the best old English novels have complex characters. For example, in 'Pride and Prejudice', Elizabeth Bennet is a multi - dimensional character with her own thoughts and feelings about love and marriage. They also often have detailed settings. 'Wuthering Heights' has the moors as a powerful backdrop that reflects the wild nature of the characters' emotions. Another characteristic is the exploration of deep themes like in 'Frankenstein' which delves into the ethics of creation.
Old light - hearted English novels often have engaging characters with unique personalities. For example, in 'Pride and Prejudice', Elizabeth Bennet is strong - willed and intelligent, which makes her interactions fun. They also tend to have simple yet interesting plots. Like in 'The Adventures of Tom Sawyer', Tom's everyday adventures keep the story going in an enjoyable way. And there's often a touch of humor in the dialogue. Just look at how the characters talk in 'Three Men in a Boat'.
These novels often have elements of the supernatural. 'Sir Gawain and the Green Knight' has a supernatural being in the form of the Green Knight. And in terms of narrative structure, many of them are episodic, like 'The Canterbury Tales' where each pilgrim's tale is like a separate episode within the larger framework of the pilgrimage.
English stories often have vivid characters. For example, in 'The Three Little Pigs', the pigs are distinct from each other, one is lazy, one is a bit more careful, and one is very diligent. They face the big bad wolf in different ways.
The use of irony is a big characteristic. Consider a story where a fitness fanatic is always talking about healthy eating but is caught secretly eating a whole box of chocolates. This irony creates humour. Satire can also be present in English humour stories. They can poke fun at social norms or human vices. And of course, the element of exaggeration, like a man claiming he has a million things to do when in fact he just has a few errands, is also quite common in these stories.