Well, think about it. There are only so many basic human experiences like love, loss, adventure, and conflict. Stories are often built around these experiences. Since these experiences are universal, the ways to tell stories about them can seem limited. So when we say 'no original stories', it's like saying that we keep remixing the same elements over and over again. Different combinations of plot, character, and setting are used, but at the core, there's a sense of familiarity because of the underlying shared human experiences.
'No original stories' might imply that every story we tell today has elements that can be traced back to earlier stories. For example, many modern love stories follow the same basic pattern as classic ones. Writers draw inspiration from existing works, whether consciously or subconsciously, and this can lead to the perception that there are no truly original stories.
It means that all stories are somehow influenced by existing ideas. For example, many fairy tales share common themes like good vs evil. Cinderella, Snow White, they all have a hero/heroine facing an antagonist. Even modern stories recycle concepts. It's hard to come up with something completely new.
It could mean that all the storylines we encounter nowadays have been done before in some form. For example, many movies and books seem to recycle the same basic plots like the hero's journey or the love triangle.
It means that life is a journey where we experience and create stories. Every event, big or small, becomes part of our story. For example, traveling to a new place gives us a story to tell. Meeting new people also adds to our life's stories.
It implies delving into the sub - stories or secondary narratives that support and enrich the main story. In a movie, for instance, the main plot is what we first see. But there are often side - stories about the characters' pasts or the making - of aspects. 'Crossing over the stories behind the stories' is the act of exploring all these elements that add more depth and understanding to the overall story.
It means that ultimately, our lives are like stories. We have a beginning, a middle full of experiences, and an end. Just as stories are told and remembered, our lives leave behind a narrative that others may recall or be influenced by.
In a way, it reflects on the impermanence of our physical existence. We live our lives, full of events, emotions, and relationships. But as time passes, the tangible aspects fade away. What endures are the stories. They can be simple, like how a neighbor was always kind, or more complex, like the story of a person's life struggles and triumphs. These stories are what we leave behind, and in that sense, in the end, we are just stories.
It doesn't really have a proper meaning as the two concepts - sex and keeping war stories - are not related. It might be a very strange or misphrased statement.
Perhaps'really really miss you novel' is a very personal and emotional novel. The author might have written it based on their own experiences of missing someone. It could be that the story unfolds in different locations and time periods, all while the main character is constantly thinking 'I really really miss you'. It could also be a novel that delves into the psychological impact of missing someone, like how it affects the character's daily life, relationships with others, and their own self - perception.
It could mean that love, as we often perceive it in stories and ideals, doesn't really exist in such a perfect form in reality. Love in real life is messy and complicated, not like the neatly packaged version in fiction.
Basically, '2 sides to a story' implies that there is always an alternative view. Take a news event. The media might present it in one way, but there could be people involved who have a completely different take on it based on their own experiences, motives, and understanding of the situation.