They can also be more experimental in terms of style. Without the pressure of mass appeal, authors of non - famous short stories might play around with different narrative voices, sentence structures, or time - frames. For instance, some might use a stream - of - consciousness style to tell the story, which can be quite different from the more common linear storytelling in famous works.
Many non - famous short stories are not as polished in terms of marketing and presentation. They may lack the big - budget promotion that famous stories get. But this also means that they can be more raw and genuine in their storytelling, often presenting unique perspectives that are not diluted by commercial considerations.
Non - famous short stories may lack the big - name author recognition that famous ones have. This means they don't get the same marketing push or exposure. However, they can offer a more raw and unfiltered view of different aspects of life, as they are not written with the primary goal of mass - market success but rather to convey a particular message or emotion. Some are written by emerging writers who are still finding their voices and exploring different literary techniques.
It might have a unique but niche theme. Maybe the writing style is less polished or it doesn't fit mainstream tastes.
Famous short stories often have a concise plot. They can quickly draw readers in and deliver a complete story arc in a short space. For example, in 'The Most Dangerous Game' by Richard Connell, the plot of a man being hunted on an island is established very quickly.
One characteristic is their concise yet impactful storytelling. They manage to convey deep emotions, complex themes, or interesting characters in a relatively short space. For example, in 'The Gift of the Magi', O. Henry uses just a few pages to show the selfless love of a couple. Another characteristic is often a strong plot twist or a memorable ending. Like in 'The Lottery', the ending completely changes the reader's perception of the whole story. Also, famous short stories usually have relatable characters or situations that make the reader think about real - life issues.
The stories often have strong themes. For example, some deal with love, like the pure and selfless love in certain stories. Others may focus on human nature, such as greed or kindness. They also use vivid language to create memorable characters and settings even with limited words. For instance, in some stories, the description of a small town or a particular person can be very vivid, making the reader feel as if they are there.
One characteristic is that they rely solely on words to convey the story. Without the aid of animation, the descriptions have to be vivid enough for readers to create their own mental images. For example, in 'The Necklace' by Guy de Maupassant, the detailed descriptions of the ball and Mathilde's appearance help the reader picture the scene.
Well, many famous western short stories are known for their realistic portrayals. They show the real life situations and problems of the society at that time. For example, stories about the Great Depression showed the hardships people faced. Symbolism is also common. In 'The Scarlet Letter', the scarlet letter 'A' is a powerful symbol representing different things throughout the story. And the narrative style can be diverse, from first - person to omniscient, which helps to tell the story in different perspectives.
One characteristic is the presence of extraordinary elements. For example, in 'The Monkey's Paw' by W.W. Jacobs, there is a magical paw that can grant wishes but with unforeseen and often terrifying consequences. Another is the creation of unique settings, like the strange and dream - like landscapes in Lewis Carroll's short fantasy works.
Famous descriptive short stories usually feature detailed descriptions of characters' inner thoughts. In 'The Lady with the Dog', we get a deep look into the minds of the two lovers. They also tend to have strong descriptions of the time and place. Like in 'Araby', Joyce paints a vivid picture of Dublin at that time. Moreover, the use of descriptive words to create atmosphere is key. In 'The Tell - Tale Heart', Poe's choice of words creates a really tense and spooky atmosphere.