What makes someone a master of short short fiction?

The ability to predict or at least speculate on future technologies and social changes. For instance, George Orwell in '1984' predicted many aspects of surveillance and totalitarian control in a way that was way ahead of his time. And this kind of forward - thinking is very important for a science fiction master.

A master of the modern short story can create a vivid world in a limited number of words. They know how to introduce characters quickly and make readers care about them. For example, Edgar Allan Poe was a master in this regard. His stories are full of mystery and atmosphere, drawing readers in from the very start.

The master of short fiction in Russia was Chekhov.

A good plot twist and relatable characters usually do the trick. A story that keeps the listener guessing and makes them care about the characters is more likely to be engaging.

One key factor is the ability to create a sense of fear. For instance, a master can use vivid descriptions of spooky settings, like a dark and haunted mansion. This immediately sets a scary mood.

A great plot. A master of detective novel can create a plot full of twists and turns. It keeps the readers guessing until the very end.

One key factor is the ability to create a truly terrifying atmosphere. For example, using vivid descriptions of spooky settings like a haunted house or a desolate cemetery.

For a short fiction to be excellent, it must first have a unique concept. It could be a new take on an old idea or something completely original. The pacing is crucial as well. In a short story, things need to move along quickly, but not so fast that the reader feels rushed. Additionally, the use of symbolism can enhance the story. Symbols can add layers of meaning and make the reader think more deeply about the story. Good short fiction often leaves the reader with something to ponder long after they've finished reading.

A good plot is key. It should be engaging from the start and have some sort of twist or resolution. For example, in 'The Necklace' by Guy de Maupassant, the unexpected ending makes it memorable. Also, well - developed characters are important. They should be believable and their actions should drive the story forward, like in 'The Lady with the Dog' by Anton Chekhov.

Well, a short sentence works well in fiction when it creates a sense of urgency or adds emphasis. It can also be used to break up longer paragraphs and vary the pace of the story.