Strong characters are also a key characteristic. The characters need to be believable and complex enough that the reader can empathize with them. In a short story, even with limited space, the author should be able to give the characters depth. For instance, in 'Hills Like White Elephants' by Ernest Hemingway, the two characters are vividly portrayed through their dialogue and actions.
The use of vivid language and effective imagery is important. It helps the reader to visualize the setting and the events in the story. A short story like 'The Yellow Wallpaper' by Charlotte Perkins Gilman uses detailed descriptions to create a sense of unease and claustrophobia, which is essential to the overall mood and message of the story.
A well - written short story often has a clear and engaging plot. It can draw the reader in quickly and keep their attention until the end. For example, stories like 'The Gift of the Magi' by O. Henry have a simple yet powerful plot that tugs at the heartstrings.
It typically has a positive and heart - warming plot. Maybe it's about two people who meet in an unexpected way and form a deep connection. There could be acts of kindness or a discovery of something beautiful in the world around them. The story often leaves the reader with a good feeling, like a warm glow in their heart. It might have a simple yet engaging setting, like a small town or a cozy café, which adds to the overall charm.
A well - written short story usually has a clear and engaging plot. It grabs the reader's attention from the start and keeps them hooked until the end. For example, in Hemingway's short stories, the plots are often simple yet profound.
Character development is key. The characters in these stories may experience a range of emotions related to sensuality in a non - vulgar way. It could be the excitement of a new friendship or the bittersweet feeling of a long - lost connection. The story might also use symbols related to sensuality, like a shared meal that represents intimacy without being sexual.
A strong plot is also a characteristic. It can be full of twists and turns. In 'The Necklace' by Guy de Maupassant, the unexpected ending makes the story thought - provoking. The story builds up gradually and then hits the reader with a powerful conclusion.
Well - written short stories usually have a clear and engaging plot. They can draw readers in quickly and keep their attention until the end. For example, in a mystery short story, the plot often has twists and turns that make the reader constantly guess what will happen next.
A well - written one might have strong character development. The characters' emotions and desires should be complex and relatable, even if the context is about adult relationships in a non - explicit manner.
Another characteristic is the ability to make the reader think. A well - written adult - themed short story (again, without improper content) might pose moral or ethical questions. For instance, a story about a business deal in an adult world could make the reader wonder about the line between right and wrong in the corporate environment. It should also be engaging from the start, hooking the reader with an interesting opening scene or statement.
Indian short stories often have a strong sense of place. They vividly describe the diverse landscapes of India, from the bustling cities to the serene villages. For example, in stories by Khushwant Singh, the settings play a crucial role in shaping the characters and the plot.
Short Victorian novels often had a focus on moral lessons. They were set in the complex social backdrop of Victorian society, depicting the class differences, for example, the poor and the wealthy. The language was often elaborate and formal.
Good short stories often have a strong and concise plot. They are able to introduce a conflict or situation quickly and resolve it in a satisfying way within a limited number of pages. For example, in 'The Gift of the Magi' by O. Henry, the couple's selfless love is shown through their sacrificial actions regarding their most precious possessions in a very short narrative.