In asexual fictional stories, the plot doesn't rely on sexual tension or romantic - sexual arcs to drive the story forward. They can be more about the internal world of the characters. For example, a story may be about an asexual artist who is more interested in expressing themselves through their art and their relationships with their fellow artists or mentors in a non - sexual way. These stories also tend to have a more inclusive view of different types of relationships and identities. They might include a diverse range of characters, not just asexual ones, but also those from different sexual orientations, genders, and ethnicities, all coexisting and interacting in a world where asexuality is just one of the many valid identities.
One characteristic is that they often focus on non - sexual relationships such as deep friendships, family bonds, or platonic partnerships. For example, in stories like 'The Raven Cycle' by Maggie Stiefvater, the relationships between the characters are complex and not centered around sexual attraction. Another characteristic is that they may explore self - discovery in terms of identity without the traditional sexual awakening. Asexual characters might be more concerned with their own personal growth, hobbies, or goals in the story.
Asexual fictional stories typically de - emphasize or completely omit sexual content. Instead, they concentrate on other aspects of the human experience. They might showcase a character's journey in understanding their lack of sexual attraction, like in the case of some autobiographical - inspired fictional works. Also, these stories often promote the idea that love and connection can exist without sexual desire. For instance, a story could revolve around an asexual character who finds fulfillment in a queerplatonic relationship, which is a very close, non - sexual bond. This helps to expand the definition of relationships in fiction and in real - life understanding.