One of his well - known short stories in The New Yorker is 'A&P'. It's a story that shows a moment of rebellion and self - discovery through the eyes of a young grocery store clerk. He observes the customers, especially a group of girls in bathing suits, and his decision to take a stand against the store's rules reveals his growing awareness of society's norms and his own place in it.
Another one could be 'Separating'. This short story focuses on a family going through a difficult time. Updike uses his characteristic detailed descriptions to portray the relationships, the tensions, and the unspoken emotions within the family as they face the situation of separation.
His short stories in The New Yorker showed his versatility. He could write about different themes, from love and lust to the search for identity. The exposure in The New Yorker helped him gain critical acclaim. Critics noticed his unique style of writing, which was detailed, often filled with rich descriptions of the physical world around his characters. This made his stories in the magazine a talking point among literary circles, further enhancing his reputation.
Some of his well - known short stories include 'A & P'. It's a simple yet profound story set in a grocery store that explores themes of youth, consumerism, and non - conformity through the eyes of a young cashier.
Another well - known short story is 'Pigeon Feathers'. It delves into the mind of a young boy dealing with religious doubts and the significance of the physical world around him. The description of the pigeon feathers is both vivid and symbolic.
Well, both Tessa Hadley and John Updike are authors who may have had their works published in The New Yorker in the realm of fiction. John Updike was a well - known American writer who had a significant body of work that could have been featured in The New Yorker. Tessa Hadley is also an established writer and her fictional works might also find a place in the pages of The New Yorker. Their works might share some common themes or styles that are characteristic of New Yorker fiction, such as in - depth character studies and exploration of contemporary life.
They often have a strong sense of character. The characters are well - developed and complex. Also, the stories usually have an interesting narrative structure that keeps the readers engaged.
One of his well - known short stories is 'A & P'. It's a simple yet profound story set in a grocery store. The main character's observations and his decision to rebel in a small way against the norms of the store and society make it interesting. Another great one is 'Pigeon Feathers'. It delves into themes of youth, faith, and the search for meaning.
John Updike was a master of character - driven stories. His contributions to The New Yorker's fiction section were significant as he could capture the essence of American society through his characters. Tessa Hadley, in her own way, has contributed by delving into the subtleties of human nature. Her works often have a sense of authenticity that fits well with the kind of fiction The New Yorker aims to publish. Together, they have broadened the scope of New Yorker fiction, with Updike's influence from the past and Hadley's more recent contributions.
Another theme is the passage of time and how it affects people. Updike's characters are often aware of their own aging and the changing world around them. This can be seen in how they reflect on their past experiences and how those shape their present selves.
Salinger had several works in The New Yorker. For example, 'For Esmé - with Love and Squalor' is another great short story. It tells a complex story about a soldier and his encounter with a young girl. The story is known for its exploration of the effects of war on the human psyche and how small moments of kindness can have a big impact. It has Salinger's typical style of delving deep into the characters' emotions and inner thoughts.
One characteristic is his incisive portrayal of middle - class life. Franzen can really dig into the hopes, fears, and mundanity of this social class.