Redundant words are a big no - no. Words like 'actual fact' (since 'fact' already implies it's actual) or 'close proximity' (as 'proximity' means closeness). Also, words that don't contribute to the mood or the plot should be removed. If you have a lot of 'filler' words that are just there to pad the sentence but don't add any real value, like 'sort of' or 'kind of', it's best to get rid of them. This will make your novel more concise and impactful.
Some common words to remove from a novel are overly used adverbs like 'very', 'really', and 'extremely'. They often don't add much depth and can make the writing seem amateurish. Also, clichéd words such as 'nice' and 'good' can be replaced with more descriptive alternatives to make the prose more engaging.
Some words that might be removed from a novel could be overly technical jargon that the general readership may not understand. For example, if it's a historical fiction novel aimed at a wide audience, using very specific and complex medical or scientific terms from a particular era without proper explanation can be removed. Another type of words could be excessive adverbs. Instead of saying 'He ran very quickly', it could be just 'He ran'. Also, repetitive words that don't add much value to the narrative. If a character keeps saying 'like' every other sentence in a way that seems unnatural, those 'like' words could be removed.
Identifying words to remove from your novel can make your writing more concise. For example, removing redundant words streamlines the prose and makes it easier for readers to follow. This can lead to a more engaging reading experience as the story moves along at a better pace.
One way to do it is to focus the story on elements that don't require the description or presence of eyes. Maybe set the story in a dark environment or have characters wearing masks or helmets that cover their eyes.
You can usually do it by finding the novel in your reading list settings and clicking the remove or delete option.
Words that can be cut from your novel include passive voice constructions when possible. For example, instead of 'The ball was thrown by John', you could say 'John threw the ball'. Another type is excessive prepositional phrases. Instead of 'He walked in the direction of the store', it could be 'He walked toward the store'. And words that state the obvious, like 'he sat down' (sitting usually implies down).
You might remove someone by creating a situation where they have to leave the setting of the story. Maybe they move away, or there's a conflict that forces them out. Another option is to have them die or disappear in a mysterious way, but be careful with that approach as it can be quite dramatic and needs to fit the tone of your story.
The way to remove something from your story depends. If it's a small detail, you could just ignore it and let the reader's imagination fill the gap. But if it's a significant part, you might need to rewrite the surrounding text to make the story flow smoothly after the removal.
One might need to remove words from a novel to improve its readability. If there are too many long, complex words, it can make the story difficult to follow for the average reader. By removing some of these, the flow of the narrative becomes smoother.
The 29 words could vary greatly depending on the style and content of the novel. If it's a mystery novel, perhaps words that give away too much too soon in the form of excessive foreshadowing. In a romance novel, overly flowery language that detracts from the emotional core of the relationship. In a thriller, words that slow down the pacing, like long-winded internal monologues of the characters that don't really build tension. It really requires a close reading of the text to determine exactly which 29 words should be cut.
Words that are too technical or jargon - heavy for the intended audience should be eliminated. If your novel is for a general readership and you keep using specialized terms from a particular field without proper explanation, it will alienate readers. Another type of word to avoid is the 'filler' word, like 'um' or 'uh' if you're writing dialogue in a way that mimics real - life stuttering too closely. It can make the dialogue seem less polished.