Ghosts in these stories are usually associated with specific places. Like the Aleya is linked to water bodies such as marshes. They seem to have a connection to areas that are either desolate or have some sort of tragic history. Moreover, they can cause fear in people not just by their appearance but also by the strange phenomena they create. For instance, they might make sudden cold drafts or strange noises. Some ghosts are also believed to be able to possess humans, as in the case of the Baital, which can take over a person's body and control their actions.
In many Bangladesh ghost stories, ghosts often have a pale appearance. For example, the Shakchunni is described as having a very white face.
Many of the Bangladeshi ghosts are female spirits. These female ghosts are often depicted as being vengeful or sad. Their appearance may include long hair which adds to the spooky factor. They are not always visible clearly but can be sensed through an eerie feeling in the air. Their presence is usually felt at night, which is a common characteristic in the ghost stories of Bangladesh.
In the '2018 ghost stories', the ghosts may possess a sense of malevolence. They could be the source of unexplained noises like moaning or wailing in the dead of night. Some ghosts might be visible only to certain people, perhaps those who are more sensitive to the supernatural. They could also have the ability to create an atmosphere of dread and fear, making the hairs on the back of people's necks stand up just by their presence.
Many Korean ghosts are often vengeful. For example, ghosts in stories related to unjust deaths seek revenge on those who wronged them or on the living in general.
Many of the ghosts are vengeful. For example, ghosts of wronged women often come back to seek revenge on those who wronged them.
In handsome ghost stories, the ghosts are often described as having a refined or noble look. They could have a pale complexion which gives them an otherworldly beauty. Their hair might be perfectly styled, like it was frozen in time from when they were alive. Their voices, if they speak, can be smooth and alluring. They also seem to have a sense of purpose, not just aimlessly wandering. For example, a handsome ghost might be trying to right a wrong from his past life, and this sense of determination makes him even more appealing.
In Russian ghost stories, many ghosts are often associated with nature. For example, the Rusalka is closely tied to water. They are usually vengeful, like when a Rusalka tries to drown people as revenge for her own death. Another characteristic is that they can be tied to a place. The Lady in White often haunts a specific building.
In these stories, the ghosts are often not very scary. They can be clumsy, like when they try to float through walls but end up getting stuck halfway. They also tend to be a bit silly, for instance, making faces at people instead of scaring them.
Often, the ghosts in Polish stories are associated with historical events or figures. For example, the White Lady might be a noblewoman from a bygone era. They usually have a purpose, like seeking revenge or warning of impending doom.
These ghosts are often deeply rooted in the cultural and religious beliefs of the Celtic people. Their existence was seen as part of the spiritual fabric of the world. They might have powers like the ability to pass through solid objects or to cause strange phenomena in the physical world, such as sudden cold drafts or the moving of objects without any visible cause.
Lazy masuerade ghosts are often associated with a sense of faded grandeur. Their masquerade attire is usually old and a bit shabby. They might have been part of a glamorous past, but now in their ghostly state, they are too lazy to keep up appearances. They may also have a slow movement, taking their time to drift from one place to another. And they are more likely to be solitary, not gathering with other ghosts. Their laziness isolates them, making them more of a solitary observer in the stories.
In Filipino ghost stories, ghosts often have a strong connection to the place where they died or had a strong emotional attachment. For example, the White Lady is usually tied to the location of her death. They can also be vengeful, like some Multo who seek revenge for their untimely deaths.