If you don't want to be too direct, you can start giving short, non - encouraging responses. Like just nodding or saying 'hmm' in a less enthusiastic way. Eventually, the person might get the hint that you're not really interested in their long - winded story.
Another approach is to focus on your own reaction. If you start to get bored, change your mindset. Maybe think about how you can use parts of the story in your own conversations later. This can make listening to long winded stories more bearable.
Often, people lack good communication skills. They don't know how to be concise and engaging. So instead of getting to the point, they go on and on with unnecessary details. For example, when trying to tell a simple joke, they end up adding so many side stories that the punchline gets lost.
Well, I might interrupt them gently. I could say something like 'This is really fascinating, but I have a quick question about something else that's on my mind right now.' This way, I can steer the conversation in a different direction. Another option is to be more direct and say that I'm short on time and need to focus on other things.
A long - winded story is a narrative that is overly wordy, often containing excessive details, digressions, or elaborations that can make it seem tiresome or drawn - out. For example, if someone is telling about their day and they go into minute - by - minute details of every little thing they did, from brushing their teeth in the morning to every step they took on their way to work, that would be a long - winded story.
A story can be long and pointless if it has no clear plot or purpose. Maybe it just rambles on without any direction or conclusion.
To write a long winded story, start with a broad idea. For example, if you want to write about a journey, think about all the possible elements like the starting point, the destination, the people met along the way, and the challenges faced. Then, add lots of details. Describe the scenery in great detail, the appearance of the characters, their emotions, and their conversations. You can also include flashbacks or side stories that are related to the main plot. For instance, if your main character is a traveler, you can have a flashback about why they decided to travel in the first place. Another important aspect is to use rich language, not just simple words but more descriptive ones to make the story more engaging.
You can start with a really simple and uninteresting event, like waiting for a kettle to boil. Then you just keep adding unnecessary details. For example, you could describe the color of the kettle, the sound it makes in great detail, how the steam rises slowly and curls in the air. Keep repeating similar details and going off on tangents. For instance, you might start talking about other times you've waited for something to heat up.
To avoid a long pointless story, first, identify your audience. If you're talking to a busy colleague, you need to be more to - the - point. Second, focus on the key events or ideas. If it's a story about a project at work, talk about the main challenges and solutions, not every little chat you had with every co - worker. Third, rehearse your story in your head briefly before sharing it. This can help you cut out the fluff and make it more purposeful.
Basically, a long-winded story is when the author spends a lot of time describing things that aren't really important to the main plot or idea. It can make the reader lose interest because it takes too long to reach the conclusion or the core of the story.
A boy started collecting pebbles. He had thousands of them in his room. He didn't make any art with them, he didn't use them for any games. He just kept piling them up. His room was full of pebbles, and his parents were constantly asking him to get rid of them, but he wouldn't listen. It was a long and pointless story of his pebble - collecting obsession.