One challenge is the length itself. It can be difficult to pinpoint the exact passage within a long novel when citing. For example, in 'War and Peace', which is very long, finding the right page number in different editions can be a headache. Also, the complex plot and numerous characters in long novels might make it tricky to provide enough context in a citation so that the reader understands the significance of the quoted part.
Citing long novels has its own set of difficulties. Long novels tend to have a large amount of text, which means there are more potential passages to choose from for citation. This can make it hard to select the most representative part. Moreover, long novels may span different historical periods or cultural backgrounds. When citing, it's necessary to take into account how these factors influence the meaning of the text being cited.
The main problem in citing long novels is ensuring accuracy. There are often many editions of a long novel, and the page numbers can vary greatly. For instance, if you are citing 'Moby - Dick', you need to be very careful about which edition you are using. Another issue is that long novels may have different translations, and the citation should also consider which translation is being used.
Writing long paragraphs in novels has several challenges. Firstly, there's the issue of coherence. With more words and ideas in a long paragraph, it can be hard to make sure that everything ties together logically. For example, if you start a long paragraph talking about a character's past and then shift to their present actions without a smooth transition, it can be jarring for the reader. Secondly, pacing can be a problem. A long paragraph might slow down the overall pace of the story when a quicker tempo is needed. And finally, it's challenging to avoid repetition. When writing at length in a paragraph, there's a risk of repeating the same ideas or phrases, which can make the writing seem dull.
Yes, typically when citing novels in academic or formal writing, they are italicized.
Challenges in long debut novels include managing the complexity. There are often multiple sub - plots and themes in a long novel, and making sure they all tie together neatly is not easy. First - time writers may also face the problem of self - doubt more acutely as they pour so much time into a long work. There's also the issue of marketability. Publishers may be more hesitant to take on a long debut novel as it may be seen as a riskier investment compared to shorter works. And from a creative perspective, coming up with enough original ideas to fill the pages of a long debut novel can be a struggle.
The main rule is to include the author's last name and page number in parentheses. For example, (Fitzgerald 78).
It meant that they had not met or contacted each other for a long time. It also meant that they had deliberately or unintentionally postponed or delayed the time to meet or contact each other. In novels, parting ways often referred to the fact that the characters did not meet or contact each other for a long time due to various reasons, or that an unexpected situation occurred when they met or contacted each other, causing the two parties to be unable to proceed according to their original plan. In novels, farewell was often used to describe the emotional entanglement between characters. For example, the characters met for a long time due to various reasons, but could not be together because of various accidents. This emotional entanglement often resonated with the readers. At the same time, farewell could also be used to describe the awkwardness or misunderstanding between characters. For example, two people could not be together because of a long separation. In novels, parting ways was a common plot. It could be used to describe the emotional entanglement between characters and at the same time, it could also make readers feel emotional resonance.
Trust can be a huge issue in a long distance story. For instance, in a long - distance friendship or relationship, you might start to wonder what the other person is doing when you're not around. This lack of direct supervision can create doubts. Another aspect is the cost. If people want to visit each other in a long distance situation, travel expenses can be very high, which can be a limiting factor for how often they can meet.
One challenge is maintaining consistency in the plot. With a long story, it's easy to have plot holes or contradictions. Another is keeping the readers engaged throughout. Long novels can be tiring for some readers.
When typing long stories, a big issue can be the lack of inspiration as you progress. At the beginning, you may be full of ideas, but as the story lengthens, it can be tough to keep coming up with engaging plot points. Additionally, typing speed can be a limiting factor. If you type slowly, it can take an inordinate amount of time to complete the long story. And finally, there's the challenge of consistency in style. You need to make sure the writing style remains the same throughout the long narrative, which isn't always straightforward.
In MLA style for citing quotes from novels, generally you need to include the author's last name and the page number in parentheses after the quote. For example, (Smith 45). If the author's name is mentioned in the text before the quote, then only the page number is needed in the parentheses.
Communication can be a big challenge. In some military operations, soldiers may not have regular access to phones or the internet, making it hard to stay in touch. Time differences also play a role, as it can be difficult to find a convenient time for both parties to talk.