Another approach is to have the other characters in the short story try to draw him out. The plot could revolve around their attempts to get him to talk more. This could lead to revelations about his past or his true nature. For example, in a story set in a small community, the local people are curious about the new man who is a man of few words. As they try to get him to open up, secrets about his previous life in a far - away place start to emerge, which then becomes the central part of the plot.
You can build the plot around his few words by making his words very impactful. For instance, in a story about a group on a dangerous adventure, he could be the one who at a crucial moment says a short but powerful statement that changes the course of the adventure. Maybe he warns the others about an approaching danger in just a few words, and then the rest of the story shows how they deal with that danger based on his warning.
One way is to put him in a situation where his lack of words causes misunderstandings. For example, in a love - related short story, the woman might misinterpret his silence as disinterest, but in fact, he is just shy or doesn't know how to express his deep feelings. This can create a lot of tension and drive the plot forward.
The plot develops through a series of events. It starts with the sighting of the umbrella man. Then, as the narrator interacts with him, more details emerge. His offer to sell the umbrella for a small amount of money is the first sign of something strange. As the story goes on, the plot thickens with the narrator's growing suspicion.
In developing a plot for a short story, think about cause and effect. Let's say your story is about a friendship on the verge of breaking. Begin by showing the small cracks in the relationship, like a missed birthday or an unreturned call. Each of these actions causes a reaction from the characters. One character might start to feel neglected, leading to more arguments. As you develop the plot, make sure these actions and reactions are logical and lead to a build - up. The climax could be a big fight, and the resolution might be the characters either mending their friendship or going their separate ways.
Well, for a plot in a short story, think about the cause - and - effect relationships. Let's say your short story is about a lost dog. The dog getting lost is the initial event. Then, every action that follows is related to that. The owner searching for the dog, the people they meet while searching, and the obstacles they face all form part of the plot. You can also add some twists, like the dog being found by someone who doesn't want to give it back easily. This creates more drama and keeps the reader engaged.
Start with a unique idea or concept. Build your characters and their motivations. Then, create conflicts and resolutions that drive the story forward.
Well, start with a strong idea or theme. Then, think about the characters and their goals. Add some conflicts or challenges to make it interesting.
Perhaps the money man discovers that his money is being embezzled by his trusted accountant. He has to track down the money and expose the fraud. During this process, he meets a young journalist who is also interested in the story. They team up. The money man realizes that there are things more important than money, like honesty and friendship. The story could end with him reforming his business practices and becoming a more ethical money man.
First, think of an interesting concept or idea. It could be a unique situation, like a character waking up in a world where time has stopped. Then, create a main character with a goal. For example, if your character is in that time - stopped world, their goal might be to find a way to restart time. Next, introduce some obstacles to that goal. Maybe there are strange creatures that guard the key to restarting time. Outline a series of events that build up the tension as the character tries to overcome these obstacles. Finally, have a resolution, whether the character succeeds or fails in achieving their goal.
To develop the plot, first think about the main conflict. It could be a person against another person, or against nature, society, etc. For instance, if it's a person against nature, your character might be lost in a storm. Then, build a series of events around this conflict that escalates the situation.
A man of few words in a short story is often a very interesting character. He might be seen as mysterious. For example, in many Western short stories, such a man could be a lone cowboy. He doesn't talk much but his actions speak volumes. He might save a town from outlaws without saying more than a few necessary words during the whole process. His lack of words could be a sign of his self - containment or a past full of secrets that he doesn't want to share.
The plot may start with the discovery of the noble girl's debt. This could set off a chain of events, like her having to find ways to earn money or seek help. Maybe she'll meet some interesting characters along the way who either help or hinder her in dealing with the debt.