How to Develop the Plot around 'A Man of Few Words' in a Short Story?

The plot develops through a series of events. It starts with the sighting of the umbrella man. Then, as the narrator interacts with him, more details emerge. His offer to sell the umbrella for a small amount of money is the first sign of something strange. As the story goes on, the plot thickens with the narrator's growing suspicion.

A man of few words in a short story is often a very interesting character. He might be seen as mysterious. For example, in many Western short stories, such a man could be a lone cowboy. He doesn't talk much but his actions speak volumes. He might save a town from outlaws without saying more than a few necessary words during the whole process. His lack of words could be a sign of his self - containment or a past full of secrets that he doesn't want to share.

In developing a plot for a short story, think about cause and effect. Let's say your story is about a friendship on the verge of breaking. Begin by showing the small cracks in the relationship, like a missed birthday or an unreturned call. Each of these actions causes a reaction from the characters. One character might start to feel neglected, leading to more arguments. As you develop the plot, make sure these actions and reactions are logical and lead to a build - up. The climax could be a big fight, and the resolution might be the characters either mending their friendship or going their separate ways.

Well, for a plot in a short story, think about the cause - and - effect relationships. Let's say your short story is about a lost dog. The dog getting lost is the initial event. Then, every action that follows is related to that. The owner searching for the dog, the people they meet while searching, and the obstacles they face all form part of the plot. You can also add some twists, like the dog being found by someone who doesn't want to give it back easily. This creates more drama and keeps the reader engaged.

Start with a unique idea or concept. Build your characters and their motivations. Then, create conflicts and resolutions that drive the story forward.

Well, start with a strong idea or theme. Then, think about the characters and their goals. Add some conflicts or challenges to make it interesting.

Sure, a short story can be around 7,000 words. It's within the typical range for a short story.

Such a story might focus on showing rather than telling. Actions and expressions of the character could convey more than his words do.

Perhaps the money man discovers that his money is being embezzled by his trusted accountant. He has to track down the money and expose the fraud. During this process, he meets a young journalist who is also interested in the story. They team up. The money man realizes that there are things more important than money, like honesty and friendship. The story could end with him reforming his business practices and becoming a more ethical money man.

One characteristic is mystery. Since they don't talk much, others are left to wonder about their thoughts and motives. For example, in many stories, the man of few words might have a hidden past that no one knows about. Another characteristic is that their actions are more significant. They tend to act rather than talk, so when they do something, it has more impact. In a story where a man of few words saves someone, it's more heroic because he didn't brag or announce his intentions beforehand.