The brevity of very short scary stories is key. They can leave a lot to the imagination. Instead of spelling everything out, they drop hints. Such as 'The phone rang in the dead of night. No one was on the other end, but there was heavy breathing.' It makes the reader's mind fill in the scariest details.
Well, for one, they often have a sense of the unknown. When readers don't know what's going to happen next, it creates fear. For example, in 'The Monkey's Paw', we don't know exactly how the wishes will turn out horribly. Also, the use of atmosphere. Dark, gloomy settings like in 'The Tell - Tale Heart' add to the scariness. And the characters can be very disturbing, like the unreliable narrator in that same story.
Their brevity. They get straight to the point. There's no time for long - winded build - up. For example, in 'The Hitchhiker', the simple idea of a hitchhiker who keeps reappearing no matter what is terrifying in just a few pages.
The mystery factor. Short ghost stories often leave a lot unsaid. We don't know exactly who the ghost is or why it's there. This mystery makes our minds race and fills us with fear. For instance, a story might end with just a strange sound and no explanation, leaving the reader to wonder what it could be.
The element of the unknown. When we don't know what's lurking in the shadows or what's going to happen next, it scares us. For example, in a story where a character hears strange noises but doesn't know the source.
They are effective because they quickly get to the point. There's no time for long - winded build - up. For example, in 'The Yellow Wallpaper', the main character's descent into madness is shown in a short span, which makes it scarier.
The brevity of short scary stories makes them effective. They quickly get to the point. There's no time for long - winded build - up, so the scares hit hard and fast. For example, in a short story, a single sentence like 'The face at the window had no eyes' can send chills immediately.
The element of the unknown. In very scary ghost stories, there are often things that can't be easily explained. For example, a strange noise in an empty room. It makes people's imagination run wild.
The isolation in campfire stories is key. When the characters are in a remote place like the woods or a deserted campsite, it immediately creates a sense of vulnerability. We, as humans, feel safer in groups and in familiar surroundings. So, when the storyteller describes someone alone in a spooky place, it taps into our primal fear of being alone and unprotected.
Another important factor is the pacing of the story. A good scary story slowly builds up the tension. It might start with a small, strange occurrence and then gradually increase the intensity. For instance, it could start with a character noticing a single object out of place in their house. Then, they start hearing soft noises, and as the story progresses, the noises get louder and more menacing. This slow build - up keeps the reader or listener on edge and makes the scary elements more impactful.
Really scary short stories are effective because they can create a vivid sense of dread in a short amount of time. For instance, in 'The Wendigo' by Algernon Blackwood, the very concept of the Wendigo, a half - man, half - beast creature of the wilderness, is enough to send shivers down your spine. The authors use of language is crucial too. They use descriptive words to paint a picture of the horror. In 'The Pit and the Pendulum', Poe's detailed description of the torture device and the protagonist's situation makes it a truly scary read. Also, the element of surprise. Stories like 'The Most Dangerous Game' start off one way and then take a terrifying turn.