Use foreshadowing effectively. Drop hints early on about what could be a great ending. If you're writing a love story, foreshadow the big romantic gesture or the major obstacle that will make the ending either really satisfying or a total letdown. By doing this, you can lead the reader to expect an exciting conclusion and then deliver on that expectation.
Make sure your characters have clear and significant arcs. If they start out with big goals, don't let them achieve them in a flat or uninteresting way. The final confrontation or resolution should be intense and meaningful. For instance, in a hero's journey, the hero should face a real and difficult challenge at the end, not just stroll to victory.
Lack of proper build - up. If you don't gradually increase the tension or stakes, the ending will feel flat. For example, if a battle was supposed to be the climax but you didn't show the build - up of forces or the growing danger, it won't be exciting.
Seek support from friends and family. Just talking about your problems can make a huge difference. They can offer different perspectives and emotional support.
By focusing on character development. Even if the origin is anticlimactic, if the character grows and changes in interesting ways, the story can be engaging. For example, a character who became a chef because they lost a bet, but then they discover a passion for cooking through their experiences in the kitchen.
One way to end your story is to tie up all the loose ends. If there were problems or conflicts in the story, show how they were resolved. Let's say your story was about a friendship in trouble. At the end, you could write 'Finally, they had an honest conversation, forgave each other's mistakes, and their friendship became stronger than ever.'
Well, you could start by trying to befriend the protagonist. Maybe offer her help instead of causing trouble. This might change the course of the story and how others perceive you.
You could start by trying to understand the motives of your character. Maybe the villainess is not truly evil but just misunderstood. Try to find moments in the story where you can show her softer side. For example, if there's a scene where she's supposed to be cruel to the protagonist, instead, you could offer a small kindness. This would start to shift the perception of your character and potentially change the plot in a more positive direction.
You can also shift the focus. Instead of getting to the end, start talking about a related side story or a character's backstory. For instance, in a love story, rather than revealing if the couple gets married in the end, start talking about how they first met their respective best friends. This diverts attention from the main story's end.
To survive as the villainess in such a novel, you need to understand the power dynamics. Figure out who has the real power in the story and try to align yourself with them. Also, don't be too obvious with your villainous deeds. In an anticlimactic setting, small, sneaky actions might be more effective than grand evil plans. And always have a backup plan in case things go wrong.
It ended happily. I got the job I was aiming for in the end.
Be careful with your words. Don't start sentences with things like 'In the end...' or 'Finally...' when talking about a story.