Another element is the significance of the 'ending day' in the context of the story's world. If it's a fictional world with its own calendar or traditions, how does this 'ending day' fit in? For example, in a fantasy world, the 'ending day' might be a day when a magic spell is broken, and this has far - reaching consequences for the entire kingdom. You have to explain how this day is different from other days and why it matters so much.
The events that lead up to the 'ending day' should be carefully thought out. They need to build up to the conclusion on this day. If the 'ending day' is a day of a big race, all the training and rivalries in the days before should be described to make the 'ending day' more impactful. You can also consider how the characters have changed during this time.
Resolution. You need to tie up loose ends. If there were conflicts in the story, show how they are resolved. For instance, if it was a family feud, show how the family members start to reconcile.
The tone is crucial. A happy ending might leave the reader satisfied, like in a fairy tale where the prince and princess live happily ever after. Also, resolution of conflicts matters. All the main problems in the story should be dealt with. For example, in a mystery story, the mystery must be solved at the end.
Character motivation is crucial. If you change the ending, the character's actions should still be in line with their motives. For instance, a greedy character won't suddenly become selfless without proper build - up.
The main element is clarity. Make sure the gospel story is told clearly so that everyone can understand it. Another is relevance. It should connect to the lives of the listeners.
One important element is to tie up loose ends. Readers don't like to be left with unanswered questions. Another is to leave a bit of an emotional impact, whether it's a happy, sad, or thought - provoking feeling. And the ending should feel natural, not forced or out of place with the rest of the story.
One important element is the mood. If the story has a dark and gloomy mood throughout, a happy - go - lucky ending might seem out of place. Another is the message you want to convey. If you want to show that kindness always wins, then the ending should reflect that. And don't forget about the setting. It can influence how the ending unfolds. For instance, if the story is set in a post - apocalyptic world, the ending could be about rebuilding or total destruction depending on your vision.
One essential element is the mood. You can use words from the word bank to create a happy, adventurous mood like'snow angels' which gives a sense of joy, or a more solemn mood with words like 'lonely snowdrift'. Another thing to consider is the sequence of events. Decide if the story starts with the snowfall, or with a character waking up to see the snow. And of course, the description of the snow itself. Is it light and fluffy or heavy and wet? The words in the word bank can help you with that.
When narrative a story, consider the setting. It sets the mood. A spooky old house creates a different atmosphere than a sunny beach. Also, think about the theme. It's the underlying message, like love conquers all or greed is bad. And don't forget about the tone, whether it's serious, humorous, or sad.
Character development is crucial. The characters should grow and change in a way that makes the ending logical. For example, if the ending is a character becoming a hero, they should start as an ordinary person with some flaws and gradually develop the qualities of a hero through the story's events. Also, the plot should be well - structured. It should have a clear beginning, middle, and end. The middle part should build up tension towards the ending.
One challenge is character development over a long span. You have to keep their growth and changes consistent. For setting, it's hard to keep the details fresh and relevant throughout the novel. In terms of plot, maintaining a good pace while having enough twists and turns can be tough. Conflict may become repetitive or lose its intensity. And resolution might seem forced. For example, in a long fantasy novel, the character's personality might change too drastically or not enough, and the setting might start to feel dull as the story progresses.