Skin Painting Ghost in Chinese Story

There is the story of 'Painted Skin' where a ghost uses a painted skin to disguise itself as a lovely woman. The story unfolds with the main character getting involved with this disguised ghost. It shows how the allure of the false appearance can blind people. The Taoist priest in the story plays an important role in dealing with the skin - painting ghost, highlighting the power of the supernatural in Chinese cultural beliefs.

Xu Beihong was a Chinese painting master surnamed Xu. He was honored as the founder of modern Chinese art education, advocating the development of "traditional Chinese painting" improvement, based on modern Chinese realistic art. Xu Beihong's works included figures, animals, flowers and birds, etc. His artistic achievements were widely recognized, and his works were collected in the collections of museum and private collectors all over the world. His contribution to China's art education could not be ignored. He had promoted the modernisation and internalisation of China's art education.

There are many famous paintings in ancient China. The following are some of them: The Painting of Along the River During Qingming Festival, painted by the Northern Song Dynasty painter Zhang Zeduan, depicted the city scene and social life of Bianjing (today's Kaifeng City, Henan Province) during the Northern Song Dynasty. 2. The Painting of the Luo God, painted by the Tang Dynasty painter Zhao Gou, depicting the dialogue between the Luo God and Zhao Gou. It was one of the masterpieces of the Tang Dynasty painting. 3. The Painting of Thousands of Miles of Rivers and Mountains, painted by the Northern Song Dynasty painter Huang Gongwang, depicting the beautiful scenery of thousands of miles of rivers and mountains in southern China, is one of the most representative works of ancient Chinese painting. 4 Mona Lisa-Painted by Da Vinci during the Italian Renaissance, it is considered one of the world's most famous paintings. It portrays a mysterious female portrait that reflects the artistic ideas and aesthetic concepts of the Renaissance. 5 Sunrise on Mount Tai-The painting of the sunrise on Mount Tai by the Ming Dynasty painter Wu Daozi is one of the masterpieces of ancient Chinese painting. "Residence in Fuchun Mountain"-Painted by the Southern Song Dynasty painter Zhang Zeduan, depicting the landscape of the Fuchun River in southern China is one of the most representative works of ancient Chinese painting. These are some of the famous paintings in ancient China. They not only reflect the essence of ancient art, but also are important witnesses of Chinese culture and history.

Chinese painting is a traditional Chinese painting with a long history and rich cultural content. Its main feature was the use of ink and colored brushes to express people, mountains, rivers, flowers, birds and other natural scenery through lines and ink. Chinese painting originated from the Han Dynasty and developed to the peak of the Tang Dynasty. After that, it went through the continuous innovation and development of the Song, Yuan, Ming, Qing and other dynasties, forming a unique painting style and technique. The main material of Chinese painting was ink and wash. The use of water was very clever, which could produce different effects. The use of ink was mainly black. Through different ink methods, ink blocks, ink dots, and other means, different light and shadow effects and atmosphere were expressed. The colors in Chinese paintings were relatively light, with ink as the main color, pursuing a profound artistic effect. Chinese painting focused on the expression of lines, the use of brush and ink, and the creation of rhythm. In terms of composition, Chinese paintings emphasized on artistic conception and far-reaching artistic conception. They often expressed the inner meaning and philosophy of natural scenery in a concise and abstract form. In terms of subject matter, Chinese paintings covered various aspects such as figures, landscapes, flowers, birds, animals, etc. It had a wide coverage and profound cultural content. Chinese painting is an important part of Chinese traditional culture, with unique artistic value and historical value, which has a profound impact on the inheritance and development of Chinese culture.

The dotting method of Chinese painting referred to the use of basic elements such as dots, lines, and surfaces in the process of painting. In Chinese painting, the use of dots was more common. They could express different objects and scenes through different shapes and sizes to convey the author's emotions and artistic conception. There was another important concept in Chinese painting called "Qi Yun", which referred to the overall atmosphere and charm of a work. Vividness was an important standard in Chinese painting. It meant that the work could resonate with the audience and convey the author's unique aesthetic concept and thoughts. The famous Chinese paintings were Wu Daozi, Li Keran, Bada Shanren, Shi Tao, Van Gogh, and picador.

The Five Blessings at the Door Chinese Painting was a traditional Chinese painting that implied that five kinds of blessings had arrived at the door at the same time. This Chinese painting usually depicted five bats, symbolizing the five blessings, as well as other auspicious patterns and symbols, such as deer, gourd, etc. These works usually had delicate and vivid painting skills, implying good luck and happiness. In the market, the price of the Five Blessings Chinese Art was about 4000 yuan. If you want to buy such Chinese paintings, you can find related products on Taobao overseas and other websites. In general, the Five Blessings Chinese Painting was an art form that was rich in traditional culture and auspicious meanings.

The Chinese painting of a phoenix and a peony was a traditional Chinese art work. It usually depicted a phoenix and a peony together. The phoenix was an auspicious pattern in traditional Chinese culture, symbolizing beauty, light, and happiness. Peony was the king of flowers and also a symbol of wealth in Chinese traditional culture. The combination of phoenix and peony symbolized wealth, prosperity, and happiness. In Chinese art, phoenix and peony patterns often appeared in jade carvings, murals, paintings, and other art forms. The creation process of this kind of pattern required attention to the composition of the symmetrical and overall harmony. At the same time, he also had to pay attention to the direction of the phoenix's wings and the details of the peony. The painting of phoenix and peony was one of the most important artistic expressions in Chinese traditional culture. It showed the Chinese people's yearning and pursuit for a better life.

The 100-Year Painting and Calligraphy Exhibition of Chinese Film was an exhibition organized by the China Film Association, the China Film Foundation, and the China Cultural Information Association. The exhibition focused on the paintings and calligraphy works of modern and contemporary artists and the relationship between artists and movies. According to the information provided, the exhibition would display the calligraphy works of deceased old artists and film celebrities, as well as the works of famous calligraphers and painters. In addition, the exhibition would be held at the National Museum and planned to tour France, Germany and other countries.

There were many categories of Chinese painting that could be categorized according to different standards. The following are some common classifications: 1. According to the classification of painting styles: Chinese paintings can be divided into six categories: landscape, human figures, flowers and birds, insects and fish, and animals. Each type has its own unique painting style and characteristics. 2. According to the regional schools, the schools of Chinese painting can be divided into the Southern School, the Northern School, the Jiangnan School, the Lingnan School, etc. These schools have their own unique characteristics in terms of painting techniques, style, and subject matter. 3. According to the genre of the painter: The genre of Chinese painting can also be classified according to the genre of the painter, such as Van Gogh's Sunflower School, and picador's cubism. The historical schools of Chinese painting can be divided into ancient times, medieval times, Renaissance, Baroque, Rococo and other periods. Each period has its own unique painting style and characteristics. 5. According to the classification of materials: Chinese paintings can be created using different materials such as brush, ink, paper, watercolor, etc. These are some of the ways to classify Chinese paintings. Different classifications can bring different characteristics and perspectives, which will help you better understand and appreciate Chinese paintings.

The characteristics of Chinese literati painting can be summarized as follows: 1. Paying attention to traditional culture and aesthetic value: Chinese literati paintings emphasize the understanding and inheritance of traditional culture, emphasizing the embodiment of aesthetic value, emphasizing the artistic conception of "poetry and painting" and the style of "harmony, elegance and vulgar appreciation". 2, emphasize the painter's personal style: Chinese literati painting emphasized the painter's personal style and creative personality. The painter would give full play to his imagination and creativity to form a unique artistic style. 3. Paying attention to brush and ink skills and performance effects: Chinese literati paintings pay attention to brush and ink skills and performance effects, emphasizing the use of brush and ink and the improvement of performance skills, pursuing the artistic conception and effect of "brush and ink should follow the times". 4, emphasizing the continuity and variation of performance: Chinese literati painting emphasized the continuity and variation of performance, pursuing the continuity and variation of the picture, emphasizing the overall grasp of the picture and the performance of the details. 5. Pay attention to the painter's ideology and emotional expression: Chinese literati painting pays attention to the painter's ideology and emotional expression, emphasizing the painter's understanding and perception of life, nature and society, and pursuing a "metaphysical" artistic conception and a "profound artistic conception" style.