Well, houses that are 1 story usually have a simpler construction. This might mean lower construction costs. They may also have a larger footprint on the land. In terms of design, they can be easily modified to create an open - concept living area, which is quite popular these days.
Well, modern 2 - story houses are typically designed with functionality in mind. The second floor is often used for bedrooms to provide more privacy. They may also have balconies or terraces for outdoor living space. In terms of style, they can be minimalist, with a neutral color palette both inside and out.
Well, 'wild houses' in novels are often places that are outside the norms of civilized society. They can be a haven for outcasts or misfits in the story. The wildness might also refer to the overgrown surroundings, like vines covering the walls and bushes growing wild around it. These houses can serve as a contrast to the more refined and organized urban settings in the novel, adding an element of the unknown and adventure.
In Dickens novels, houses often reflect the social status of their inhabitants. For example, grand mansions might belong to the wealthy upper class, with opulent interiors and large grounds. These houses are symbols of power and privilege. On the other hand, the homes of the poor are usually small, cramped, and dilapidated, like the tenements where many of the lower - class characters live. They are dark, dirty, and lack basic amenities, highlighting the great divide between the rich and the poor in Dickens' world.
In modernist novels, houses often represent the characters' inner states. They can be cold and isolated, like the houses in Kafka's works, reflecting the alienation of individuals in modern society.
They might have a compact layout for efficient use of space.
The houses in Jane Austen novels are typically Georgian or Regency - style. They have features like large windows, symmetrical facades, and well - manicured gardens. These houses are not just places to live but also symbols of the characters' lives. For instance, the rectory in some of her novels represents the more modest but still comfortable living of the clergy. They are often described in detail to give a sense of the characters' environment and the social context.
They often have more living space compared to single - story houses. For example, the second story can be used for bedrooms, providing more privacy as it's separated from the main living areas on the first floor.
Such houses often have a unique architectural design that saves space and creates an interesting visual effect. The overlap might provide more privacy for the upper level.
Good translation skills are crucial for these publishing houses. They need to ensure that the translated detective fiction is not only accurate but also engaging. A wrongly translated clue in a detective story can completely ruin the reading experience. So they usually work with professional and experienced translators.
In Jane Austen novels, the fictional houses often represent the social status of the families. For example, large and grand estates like Pemberley in 'Pride and Prejudice' signify wealth and high social standing. These houses usually have beautiful gardens and elegant interiors, with rooms for different functions such as ballrooms for social gatherings.