Can you give an example of an 'it's only for your own good bondage story'?

Well, 'bondage' can have different meanings. If it's in a non - adult context, it could mean being tied down or restricted in a more metaphorical sense. 'It's only for your own good' might imply that the situation or story involves some form of restriction that is ultimately beneficial. For example, it could be about a person having to follow strict rules in a training program that will help them in the long run.

Sure. I remember when I was trying to learn a new skill, like painting. I wasn't very good at it initially and got a bit discouraged. However, I changed my thoughts. I thought that every mistake was a step towards improvement. So I kept on practicing with this positive mindset. Eventually, I got much better at painting, and it all started with that shift in my thoughts.

Imagine a group of friends who decide to have a wild poker night. They create their own rules for a 'bondage poker' game. Every time someone loses a round, they have to be tied to their chair with a silk ribbon for the next two rounds. One player, let's call him Jack, is really competitive but keeps losing. As he gets tied to the chair more and more, he becomes desperate to win and the story could be about his struggle and the chaos that ensues in this unique poker game.

A 'choose your own path' historical adventure story is also great. Suppose you are a time - traveler going back to ancient Rome. You can choose to visit the Colosseum first. There, you might get involved in a gladiator's story and help him win his freedom. Or you can choose to go to the Roman Senate. There, you could influence important political decisions of the time. Different choices will take you on different historical adventures.

The story could also be about Saved by the Bell. It was a popular TV show in the 90s. We followed the lives of the students at Bayside High. The show dealt with typical high - school issues like dating, friendship, and getting into trouble. It was a show that many 90s kids watched religiously and can still remember vividly today.

One plot could be a story about two dancers. They meet in a dance studio. There's an instant physical attraction. As they practice their dance moves together, their bodies move closer and closer. They start to feel a heat between them that goes beyond just the physical exertion of dancing. Their eyes lock during the more sensual parts of the dance, and a story of their growing passion unfolds as they explore their feelings outside of the dance studio as well.

Another example could be the love between a mother and her child. In many stories, the selfless love of a mother is depicted. It's a love that is unconditional and real. For instance, in some folktales, a mother would go to great lengths to protect her child. This kind of love is the real story, as it showcases the depth of human connection and emotion that is pure and true.

There's a short story where a detective is writing down his investigation into a serial killer case in his diary (he is the teller). As he gets closer to the truth, the serial killer discovers his diary and uses the information in it to track him down and kill him. So the detective, who was in the process of telling his own story of the investigation, gets killed in that very story.

Sure. If I'm creating a story about a family reunion. And I know someone's story about a long - lost relative showing up at their family reunion unexpectedly. I can add this element to my story. I could have a character in my story tell this real - life story during the family gathering, which then sets off a chain of events in my fictional story, like the characters starting to wonder if they also have long - lost relatives out there.

Let's say in a magazine that mainly focuses on family - friendly and general - interest content. There is a section for a bit of 'adult - themed' literature once in a while. In this case, the editors might decide that there can only be one erotic story per issue to balance the overall tone of the magazine.