What are the characteristics of really good novels?

One characteristic is a great sense of atmosphere. For example, in 'The Haunting of Hill House', the spooky old house is described in such a way that you can almost feel the cold and the unease. Another is strong characters. The characters in 'Psycho' are so well - developed that you really get into their situations and fears.

Good love novels often have complex characters. For example, in 'Pride and Prejudice', Elizabeth and Darcy are not one - dimensional. Their pride and prejudice make their relationship more interesting. Another characteristic is a well - developed plot. In 'The Notebook', the plot unfolds over different timelines, showing the longevity of the couple's love. Also, the exploration of emotions like passion, jealousy, and loyalty is common, as seen in 'Wuthering Heights' where Heathcliff's passionate love for Catherine drives the story.

One characteristic is engaging characters. In really good light novels, the characters are often complex and relatable. For example, in 'Fullmetal Alchemist', Edward and Alphonse are two brothers with distinct personalities and deep - seated desires that drive the story forward.

Good seinen novels often have complex characters. For example, in 'Monster', the main character Johan is multi - faceted and his actions are driven by deep - seated psychological issues. Another characteristic is the exploration of mature themes like war, society, and human nature as seen in 'Vinland Saga'.

Good light novels often have interesting and unique settings. For example, like the virtual world in 'Sword Art Online'. They also usually have engaging characters. In 'Re:Zero', Subaru's growth and development keep readers hooked. Another characteristic is a well - paced plot that can keep the tension and excitement going throughout the story.

Good fiction novels often have well - developed characters. For example, in 'Jane Eyre' by Charlotte Bronte, the character of Jane is complex and multi - faceted, which makes the story engaging. Another characteristic is a compelling plot. 'The Da Vinci Code' has a fast - paced and mysterious plot that keeps readers hooked. Also, vivid settings play a role. In 'Wuthering Heights', the desolate moors add to the overall mood of the story.

One characteristic is a concise yet impactful plot. In a short novel, there's no room for long - windedness. For example, in 'The Necklace' by Guy de Maupassant, the simple plot of a woman borrowing a necklace and the consequences that follow is very powerful. Another is vivid characterization. Even in a short space, like in 'The Most Dangerous Game' by Richard Connell, the characters of Zaroff and Rainsford are very well - drawn.

Well, strong characters are a key characteristic. In a really good romance novel, the characters should be complex and relatable. For example, in 'Pride and Prejudice', Elizabeth Bennet is intelligent, independent - minded and her pride and Mr. Darcy's prejudice create a lot of drama. Another characteristic is a believable relationship development. It can't be too rushed or forced. In 'Outlander', the relationship between Claire and Jamie builds gradually over time. Also, good romance novels often have some sort of conflict, whether it's external like in 'The Notebook' where the lovers face family and health issues, or internal like in 'Eleanor & Park' where they struggle with their own insecurities.

Authenticity is key. The relationship between the female characters should feel real and not just a plot device. In 'The Price of Salt', the relationship between Therese and Carol is depicted with such nuance and emotional depth that it draws the reader in. It also explores the social context of the time, which is an important aspect of many good lesbian novels as they often deal with the challenges of being in a relationship that society may not fully accept.

Good yuri novels often have well - developed female characters. For example, in 'Bloom into You', Yuu and Touko have distinct personalities. Their growth and self - exploration are central to the story.