One way is to check for simplicity. A good story should be simple enough for the development team to understand quickly. If it's overly complex with lots of sub - requirements, it may not be a good agile story. For instance, a story that says 'The user should be able to do a complex multi - step process involving ten different actions' might need to be broken down.
Look at its testability. An agile story should be easy to test. For example, if the story is 'The user can view their order history', it's straightforward to write tests for whether the order history is displayed correctly, what happens when there are no orders, etc. If a story's requirements are so ambiguous that it's hard to figure out how to test it, it lacks the agile characteristic of testability.
Another aspect is that it has clear acceptance criteria. This means that everyone involved, from developers to testers, knows exactly what needs to be done for the user story to be considered complete. For example, for a user story about 'User can reset password', the acceptance criteria could be 'User enters email, receives password reset link, and can successfully set a new password'.
To identify a good characteristics novel, check if it has a unique voice. This means the author's way of writing is distinct and recognizable. If the story can make you feel a range of emotions, from joy to sadness to anger, it's a sign of a good novel. Also, if it has a well - developed setting that feels real and immersive, whether it's a historical period or a fictional place, it adds to the quality of the characteristics novel.
One way to identify the characteristics of a horror story is to check for elements that target our primal fears. For example, if there are threats to a character's safety in a very menacing way, like being hunted by an unseen force. The use of shadowy or hidden things can also be a sign. The story might also use a lot of descriptive language to make the horror more vivid, such as describing the stench of decay or the cold touch of a ghost.
For identifying the characteristics, start with the number of characters. If it's not a large cast, it likely meets that short - story trait. Next, check the theme. If there's a clear, overarching idea, it's there. Regarding the plot pace, if events move along without a lot of slow parts, it has a fast - paced plot. In general, read carefully and analyze these aspects.
Look at the characters first. If they seem flat or one - dimensional, it's probably not a great romance novel. Also, check the plot. If it's predictable and lacks any twists or turns, it might not be that good. A good sign is when you can't put the book down because you're so invested in the relationship between the characters.
Look at the world - building. If it's detailed and immersive, it's a good sign. For example, in 'Mistborn' by Brandon Sanderson, the world has a unique system of magic based on metals. Also, check the characters. Are they multi - dimensional? If they have flaws and growth, it's likely a good fantasy novel. Like Eragon in 'Eragon' who starts as a farm boy and becomes a dragon rider with many challenges along the way.
It should be negotiable. This means that the details of the story are not set in stone at the beginning. The development team and the stakeholders can discuss and adjust the requirements as the project progresses. Say, the initial idea for a story was to have a simple text - based report, but during the sprint planning, they negotiate to make it a more graphical report based on available resources and user needs.
Look for the time period. If it's set in the past, it could be historical fiction. Also, check for real historical events or figures. If there are mentions of, say, Napoleon in a story, it might be historical fiction. Another way is to see if the details of the setting, like the type of houses or the means of transportation, are appropriate for a historical era.
One way to identify the characteristics of literary fiction is through the narrative structure. If it's not a simple, straightforward plot but rather has a more complex, non - linear structure, it could be literary fiction. For instance, a story that jumps between different time periods or perspectives. Also, pay attention to how the story explores the characters' inner lives. If there is a lot of focus on their thoughts, feelings, and psychological states, it is likely to be literary fiction. And look at the overall tone. If it's more introspective and thought - provoking rather than just action - oriented, it may be literary fiction.
To identify the characteristics of the modern novel, look at the narrative style. If it has a fragmented or non - linear structure, it's likely a modern novel. Also, pay attention to the themes. If they revolve around modern - day problems like urban isolation or the digital age, it's a sign. And if the characters seem complex and their internal worlds are highly explored, it's probably a modern novel.