This statement indicates that the origin of an original work in art is not just about the physical creation but also about the intangible story. It could be about the historical context in which it was made, the cultural influences on the artist, or the artist's own journey in life that led to the creation of that particular piece. For instance, many works of art from the Renaissance period were influenced by the rediscovery of classical knowledge and the changing social structures of the time.
In art, 'every original has a story' implies that there's a narrative related to its creation. An artist might pour their emotions, memories, or ideas into their work. Take Van Gogh's 'Starry Night'. His troubled mental state and his love for the view from his asylum window are all part of the story behind that iconic painting.
It implies that each animal has its own unique experiences. For example, a stray dog might have a story of survival on the streets, facing hunger and danger. It could also mean that animals have emotional and behavioral stories. A cat that was once abused may have a story of learning to trust humans again.
It implies that each Christmas is unique and has a tale of its own. Maybe it's about the family traditions, the special gifts given or received, or the events that happen during that time.
It implies that there are always two different perspectives or viewpoints in any situation. Just like in a dispute, one person may see it as right while the other may think it's wrong.
It means that there's a unique style suitable for each individual story. Different stories have their own distinct characteristics, and a corresponding style is needed to bring out their best.
Well, in art, every brush stroke is like a little piece of the story. When an artist uses a brush, they are not just making random marks. For example, a thick, bold stroke might represent strength or power in the story the picture is trying to tell. And a light, delicate stroke could be something more gentle or fragile. The combination of all these different strokes is what creates the full story within the picture.
It implies that each tale, whether it's a short fable or a long epic, has a story within it. Tales are vessels for stories, and this statement emphasizes the fundamental nature of tales as carriers of narrative.
It implies that leaders use stories as a tool. Stories can be used to inspire their followers, convey their vision, and make their ideas more relatable.
In a general story context, 'bent over' can imply that a character is in a position of focus or discovery. For example, if a character bent over to pick up a letter, it might be the start of a mystery as the letter could hold important information.
Often, when we hear 'and that is the rest of the story', it might mean that there were prior parts to the story that have already been told, and now this is the conclusion or the last bit of information. It can be used in a simple anecdote where you first set up the situation, describe some events, and then end with this phrase to signal that there's nothing more to add.
It implies that the story is made up of small, incremental parts. Each 'little step' is an important building block of the overall story.