I'm not sure of a specific Gaelic novel set in New Yorker off the top of my head. But it's possible that some contemporary Gaelic authors might be exploring such settings to bring a new perspective to the Gaelic literary tradition. Maybe checking with Gaelic literature enthusiasts or specialized libraries could turn up some interesting finds.
Sure. 'Brokeback Mountain' by Annie Proulx was published in The New Yorker and is set in Wyoming, which is near Texas. It's a powerful story of a complex relationship between two cowboys. Another could be some works by Larry McMurtry who has stories set in Texas and might have been featured in The New Yorker. His works often explore the Texan landscape, culture, and the people living there.
As of now, it's difficult to name a famous Gaelic novelist who has made New Yorker a central setting in their work. Gaelic literature often focuses on Gaelic heritage, folklore, and the landscapes and cultures of Gaelic - speaking areas. However, in the age of globalization, new voices may emerge and change this. Maybe in the future, we'll see Gaelic novels set in New Yorker becoming more popular as Gaelic - speakers interact more with different cultures.
Another one is 'An Cailín Gaelach'. This book tells a heartwarming story about a young Gaelic girl. It delves into her daily life, her dreams, and the traditions that shape her world. The language used in the book is rich and really gives a sense of the Gaelic heritage.
There are many Gaelic short stories worth mentioning. For example, 'An T - Èilean' which is set on an island. The story depicts the unique culture, traditions and the daily life of the people living there. It gives readers a vivid picture of Gaelic island life with its descriptions of the landscape, the local dialect, and the relationships between the characters.
Hemingway's 'Hills Like White Elephants' also has some New Yorker - relevant aspects. The two characters' complex relationship and their conversation, which is filled with subtext and unease, can be seen as something that could occur among New Yorker types. The sense of modernity, the indecision, and the undercurrents of emotion are elements that might be found in the interactions of people in a New York - like urban environment.
Another could be 'A Clean, Well - Lighted Place'. While not explicitly New York - centric, his New Yorker identity might have seeped into the story. It's about an old man in a café at night and the two waiters discussing him. The themes of loneliness and the search for a peaceful place are typical of Hemingway's works.
Daniel Clowes is a New Yorker cartoonist who has created graphic novels. His 'Ghost World' is quite popular. It focuses on the lives of two teenage girls and their experiences in a rather mundane and sometimes disillusioning world. The art style is unique and captures the mood of the story well.
There are many great New Yorker stories. 'The Swimmer' by John Cheever is a remarkable one. It tells a story that seems ordinary at first but then unfolds into a profound exploration of a man's life and his place in society. 'Goodbye, Columbus' by Philip Roth is also excellent. It delves into themes of love, class differences, and the Jewish - American experience in New York.
There are many fictions that touch on both or either of these locations. 'American Psycho' is set in New York and gives a disturbing yet fascinating look at the yuppie culture there. In terms of Texas, 'Terms of Endearment' is a well - known work that delves into family relationships against the backdrop of Texas life.
Sorry, I'm not familiar with any specific 'itch new yorker fiction' works as the term is rather unclear. There are so many works in The New Yorker that it's hard to single out ones that might fit this description without a better understanding of what 'itch' means in this context.