Words that are too technical or jargon - heavy for the intended audience should be eliminated. If your novel is for a general readership and you keep using specialized terms from a particular field without proper explanation, it will alienate readers. Another type of word to avoid is the 'filler' word, like 'um' or 'uh' if you're writing dialogue in a way that mimics real - life stuttering too closely. It can make the dialogue seem less polished.
Words that don't contribute to the mood or tone of the story are candidates for elimination. For instance, if you're writing a dark and brooding mystery novel, using words that are overly cheerful or light - hearted in inappropriate places can disrupt the atmosphere. Additionally, redundant words, such as 'free gift' (since a gift is by definition free) should be removed to make the writing more concise and impactful.
To make the writing more concise. Extra words can weigh down a story and make it less engaging. For example, if you can say 'She smiled' instead of 'She had a big smile on her face', it's much more direct and effective.
The 29 words could vary greatly depending on the style and content of the novel. If it's a mystery novel, perhaps words that give away too much too soon in the form of excessive foreshadowing. In a romance novel, overly flowery language that detracts from the emotional core of the relationship. In a thriller, words that slow down the pacing, like long-winded internal monologues of the characters that don't really build tension. It really requires a close reading of the text to determine exactly which 29 words should be cut.
Well, you could start by identifying the scenes that don't contribute much to the main plot or character development. Then, simply cut them out during the editing process.
Some common words to remove from a novel are overly used adverbs like 'very', 'really', and 'extremely'. They often don't add much depth and can make the writing seem amateurish. Also, clichéd words such as 'nice' and 'good' can be replaced with more descriptive alternatives to make the prose more engaging.
Words that can be cut from your novel include passive voice constructions when possible. For example, instead of 'The ball was thrown by John', you could say 'John threw the ball'. Another type is excessive prepositional phrases. Instead of 'He walked in the direction of the store', it could be 'He walked toward the store'. And words that state the obvious, like 'he sat down' (sitting usually implies down).
Read your writing carefully and look for constructions like 'was done' or 'were given'. Replace them with active verb forms. For example, change 'The book was read by him' to 'He read the book'.
Well, 'just', 'maybe', and 'sort of' are among the filler words to cut. 'Just' is used so often but often doesn't add much. For instance, 'I just wanted to say' could be 'I wanted to say'. 'Maybe' can make a statement seem less certain than it should be in a novel. 'Sort of' is a very weak expression. Instead of 'He was sort of angry', you could be more definitive like 'He was angry'. By removing these filler words, your novel can have a more direct and engaging style.
Well, common filler words like 'um', 'uh', 'like' in a more informal sense, and overly used adverbs such as 'very' can often be cut. For example, instead of saying 'He was very tired', you could say 'He was tired'. Also, words that don't add much meaning to the sentence, like some redundant prepositional phrases, should be considered for removal. Look at your sentences closely and see if words can be removed without changing the core meaning.
Identifying words to remove from your novel can make your writing more concise. For example, removing redundant words streamlines the prose and makes it easier for readers to follow. This can lead to a more engaging reading experience as the story moves along at a better pace.
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