Well, ascended beings in the ascend trope of science fiction are typically shown as having achieved a higher state of existence. They could be the result of evolution, technological augmentation, or spiritual enlightenment. These beings are usually presented as guiding forces or as entities with a grand purpose, sometimes even acting as protectors or destroyers depending on the narrative's needs.
In science fiction, when it comes to ascended beings in the ascend trope, there are several common themes. Firstly, there is the theme of evolution, both physical and mental. They represent the next step in the development of a species. Secondly, the theme of mystery surrounds them. Their origins and true nature are often left ambiguous. Thirdly, there is the theme of hierarchy. They are usually placed above other beings in the fictional universe, creating a sort of power structure. This can lead to stories about power struggles between the ascended and the non - ascended, or between different levels of ascended beings. Additionally, the theme of enlightenment is present, as they are seen as having achieved a higher level of understanding, whether it be scientific, spiritual, or both.
In '2001: A Space Odyssey', the monolith seems to be a tool for some ascended or highly advanced beings. It's a mysterious object that triggers the evolution of humanity. Kubrick shows this ascended being's influence in a very abstract way.
Galactus from Marvel Comics is an example. He is a cosmic entity with near - omnipotent power. He devours planets to sustain his energy, and his power is so vast that only a few heroes can even attempt to stop him, and usually only through great sacrifice or clever strategies.
In the 'DC Comics' universe, Darkseid can be considered a near - omnipotent being. He has incredible strength, can control minds on a large scale, and his Omega Beams are extremely powerful. His goal of universal domination makes him a formidable and all - powerful force in the DC world.
In science fiction, pyrokinesis is sometimes portrayed as an inborn gift. Some characters are born with the ability to manipulate fire, and they have to learn to control it as they grow up. It can also be shown as a result of some scientific experiment gone wrong, where a person gains this power unexpectedly. For example, in a story, a scientist might be exposed to a strange radiation that gives him pyrokinesis. Usually, the visual effects are quite spectacular, with flames dancing at the character's will.
In science fiction, cryonics is often portrayed as a way to preserve life for an extended period. For example, in some stories, characters are frozen and then revived in the future when technology has advanced enough to cure their ailments. It's a concept that allows for time - traveling of sorts, as the frozen individuals skip forward in time.
They are often portrayed as massive, glowing machines. In some science fiction movies, they are shown as taking up entire rooms or even buildings. They have countless blinking lights and wires everywhere.
In science fiction, Saturn is often portrayed as a mysterious and awe - inspiring planet. It might be depicted as a place with strange alien life forms in its rings or on its moons. For example, some stories might imagine microscopic organisms living in the ice particles of the rings.
In science fiction, artillery is often highly advanced. It can range from huge, planet - destroying cannons to small, but extremely powerful handheld energy - based artillery pieces. For example, in some space - opera sci - fi, massive orbital artillery platforms are used to defend planets or wage interstellar wars. These are usually depicted with high - tech interfaces and the ability to fire projectiles at incredible speeds and distances.
In science fiction, metals are often portrayed as super-strong and durable. For example, in many space - based sci - fi stories, spaceship hulls are made of some fictional metal that can withstand asteroid impacts and extreme temperatures.