Objectivist fiction typically emphasizes individualism. It often presents characters who are self - reliant and pursue their own values and goals without relying on collectivist or altruistic ideals. For example, in Ayn Rand's works, like 'The Fountainhead', the protagonist Howard Roark is highly individualistic, standing by his unique architectural vision against the conformist views of society.
Objectivist fiction also tends to promote a laissez - faire capitalist view. It shows the importance of free - market capitalism where individuals are free to create, produce, and trade. In these stories, government interference is often seen as a hindrance to the progress of the individual. Through the plot and the development of the characters, it illustrates how a capitalist system can allow for the full expression of individual capabilities.
One key characteristic is the emphasis on individualism. In objectivist science fiction, the individual's rights, achievements, and self - interest are often central. For example, characters might strive for personal success in a technologically advanced world. Another is rational self - interest driving the plot. The protagonists usually make decisions based on what benefits them rationally, which can lead to unique story developments in the science - fiction settings. Also, it often portrays a world where free - market capitalism is a dominant force, with innovation and progress being driven by individuals or companies seeking profit in a competitive environment.
Another characteristic might be the exploration of personal values. These novels may show how the gay characters form their own set of values that are independent of the mainstream. For example, they might have their own ideas about relationships, love, and success that are different from what society typically dictates. They value their own experiences and insights, and use them to shape their lives. This is in line with objectivist thinking which emphasizes the importance of an individual's own rational judgment.
Existentialist fiction often features characters who are in search of meaning in a seemingly absurd world. It emphasizes individual freedom and choice. For example, in Sartre's works, characters constantly grapple with their own existence and the choices they make. The settings can be quite desolate or ordinary, highlighting the alienation of the individual.
One characteristic is the use of historical settings. It places the story in a particular time in the past, like a story set in the Victorian era. Another is historical accuracy in details such as clothing, language, and social norms of that time. For example, if it's a story about ancient Rome, the characters should speak in a way that reflects the language use then.
The key characteristics of absurdist fiction include a departure from traditional narrative structures. Instead of a clear beginning, middle, and end, it might be more fragmented. There's a sense of chaos and meaninglessness. It challenges the reader's expectations of what a story should be like. Absurdist fiction can also have characters that are alienated from their surroundings or society, as if they don't fit in the normal order of things.
One key characteristic is the blend of real - life experiences and fictional elements. In autobiography fiction, the author often draws from their own life story, like their upbringing, relationships, or career. However, they also add fictional details, such as changing the sequence of events, creating composite characters, or imagining different outcomes to make the story more engaging and to protect the privacy of some individuals involved. For example, in some autobiography fictions, the author might merge two real people they knew into one fictional character in the story.
One key characteristic is complex characters. In literary fiction, characters are often multi - dimensional, with conflicting emotions and motives. Another is the exploration of deep themes like love, death, and the meaning of life. Also, the use of sophisticated language and unique narrative structures is common.
Well, in realistic fiction, the events are plausible. They could actually happen in real life. The language used is usually straightforward and relatable, not overly flowery or difficult to understand. Characters face real - life problems. For example, a character might struggle with financial difficulties or problems at school. And the story often reflects the social and cultural context of the time it's set in, showing how society affects the characters and their decisions.
One key characteristic is intense conflict. In drama fiction, there are often strong clashes between characters, such as in 'Romeo and Juliet' where the feud between the families creates the main conflict. Another is the use of dialogue. It's crucial for developing characters and moving the plot forward. For example, in many courtroom dramas, the dialogue between the lawyers and witnesses is what builds the tension and reveals the truth. Also, drama fiction usually has a clear arc of rising and falling action, leading to a climax and resolution.
One key characteristic is the portrayal of ordinary life. It shows real - world situations, like the daily struggles of working - class people. For example, in Dickens' novels, he depicted the poverty and social inequalities of his time. Another is the use of detailed descriptions. This includes physical settings, like describing the dirty and crowded streets of a city in the 19th century. Also, characters are often complex and multi - dimensional, with both good and bad qualities, just like real people.