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What are the criteria for fiction submissions to The Atlantic?

2024-12-02 11:21
3 answers

The Atlantic likely looks for fiction that has a certain level of sophistication in its language use. The story needs to be able to hold the reader's attention from start to finish. They might also consider the cultural or social significance of the story. For example, a story that offers a new perspective on a current social issue could be appealing. Additionally, the formatting and presentation of the submission matter. It should be easy to read and follow.

One key criterion is the quality of writing. It should be engaging, with well - developed characters and a strong plot. Another aspect is the relevance and uniqueness of the story. It should stand out from the common themes. Also, the style should match the general tone of The Atlantic, which is often literary and thought - provoking.

For fiction submissions to The Atlantic, the writing has to be top - notch. This means having a clear and distinct voice. The story should have a purpose, whether it's to entertain, educate, or make the reader think deeply. They probably look for originality in both concept and execution. The length of the fiction might also be a factor, as they may have certain limits or preferences. And of course, proper grammar and punctuation are essential to show your professionalism as a writer.

Love Separated by The Atlantic

Love Separated by The Atlantic

This story is a sequel to 'That One Flight', I recommend you read that story first (if you haven't) just for the story to make more sense :) *This book has some explicit content* *UNDER REVISION* BOOK TWO from the 'O'Neill Series'. *PREVIOUSLY NAMED 'LOVE IN BELGRADE'.* *EXTRACT FROM THE STORY* "Umm, hi James, Ana here... in case if this phone number does not seem familiar to you. I just wanted to see how you are... umm... so... how are you?... I'm good if that is what you were going to ask me..." I pause before letting out a sigh. "But not as good as when I am with you..." I say, not believing how freely I just said that. "I... I miss you... very much... I can't help but wonder if you feel the same about me... if you miss me too...". Then my mind goes blank. "I... I..." I begin, searching for a topic. "I hope you have a good stay in Belgrade... I guess me wishing that I could see you again would be a bit too much of a wish..." I end my words with a giggle. I find myself, once again, walking around my living room. "Anyways, that is all that I wanted to say. I wanted to see how you are and if everything is okay. I also read that letter... you have a really beautiful way with words..." I say. "But how do you know I don't like being woken up?... Actually, I don't think anybody likes being woken up, so scrap that question..." I giggle, but then I shake my head. I am taking too long. "Sorry, this message must be very long by now, so I am going to finish now... I just... I really want to see you in person again..." I then once again pause as I look down at my legs that rub my carpet. "Anyways... that is all I have to say... see you- I mean, probably not really, but I am hoping I'll get to see you, you know...". A sigh escapes my lips. "Bye..." I say before distancing my phone from my ear and press the red button.
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23 Chs
Predator In The Atlantic: Der Schwarze Wolf

Predator In The Atlantic: Der Schwarze Wolf

In the vast, perilous expanse of the Atlantic during World War II, Captain Karl-Friedrich Müller a German U-boat commander is on a high-stakes mission to hunt down Allied supply ships. Beneath the icy waves, the crew battles not only the enemy but also the relentless dangers of their underwater world. Initial victories ignite a fierce pride, but soon the claustrophobic confines of the U-boat become a pressure cooker of tension and uncertainty. Mechanical failures, mysterious orders, and whispered secrets threaten to unravel their tight-knit crew. Loyalties are tested, and the line between ally and adversary blurs in the relentless darkness. As the U-boat navigates through treacherous waters, Muller must steer his men through mutiny, moral dilemmas, and life-or-death decisions. Every dive could be their last, and the ocean itself becomes a merciless adversary. Dive into a gripping war drama where danger lurks in every shadow and the true enemy might be closer than they think. Will Captain Karl-Friedrich Müller and his crew triumph against the odds, or will the unforgiving depths of the Atlantic swallow them? The fate of their mission—and their lives—hangs by a thread.
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19 Chs
Love In The Criteria- Needs trust

Love In The Criteria- Needs trust

A man who had never been loved and a teenage girl who didn't know about love met with each other through destiny. In a remote village, a math teacher named Ilhan came from town where it's very rare. Somehow he was ended up students favourite one while some hated him too.
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2 Chs
Crime to crime

Crime to crime

Crime to crime is about the mc trying to find his place in this world. He has many interesting adventures in the chapters to come
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6 Chs
CRIS

CRIS

There was a girl who lived well, happy and rich, but on the night of her birthday, her parents died. When she was six years old she found out someone had killed her parents, her uncle was taking care of her. He is his father’s brother, when she was eight years old she auditioned at SZCQ Grobal Entertainment Agency or known as SZE, his uncle was the owner of Entertainment Agency. SZE is an Entertainment Agency with secret missions, it is made for those in need of justice, who are unwilling or ignored by the authorities or superiors. P.S Names, characters, places, and events may be the work of the author's imagination or mere fiction. Any resemblance to actual events or local or human, living or dead, is purely coincidental. PLAGIARISM is a CRIME!
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3 Chs
Critical Crisis

Critical Crisis

Alex Nix is brutally killed, but apon returning to consciousness he is alarmed to be told by the Goddess of Love, Lucy that he has been judged unworthy of reincarnnation. The only way to earn it is to become an Apostle, someone who visits many worlds to help overcome whatever Crisis may befall them, or they are sent to kill rouge Apostles who may be causing critical issues.
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3 Chs

What are the criteria for fiction submissions to The New Yorker?

2 answers
2024-11-14 10:02

The New Yorker looks for high - quality writing. The plot should be engaging and original. The characters need to be well - developed. Also, the writing style should be distinct and sophisticated.

What are the criteria for open submissions in science fiction?

1 answer
2024-11-09 09:38

Well, in open submissions of science fiction, often they look for a clear genre adherence. It has to be recognizable as science fiction, with elements like advanced technology, future settings, or alien species. Also, the length requirements are important. Some may accept short stories while others might be looking for novel - length works.

What are the criteria for open call submissions of schizophrenia short fiction?

1 answer
2024-12-13 21:17

Typically, the criteria may include having a clear connection to schizophrenia in the plot or character development. It should also have a well - structured narrative. For example, the story could explore the experiences of a person with schizophrenia or the impact on their family.

What are the criteria that literary agents in Ireland look for in fiction submissions?

2 answers
2024-10-31 15:21

Typically, they look for a unique and engaging story. If it's a genre - based fiction like mystery or romance, it should have a fresh take on the genre.

What are the criteria for good fiction submissions to The New York Times Magazine?

2 answers
2024-11-24 21:40

Good fiction for The New York Times Magazine should have excellent writing quality. This means proper grammar, vivid descriptions, and a smooth flow of the narrative. The theme should be relevant and thought - provoking. It could be something that reflects current society or human nature in an interesting way. Additionally, the voice of the story should be distinct, not sounding like a copy of other works.

What are the criteria for publishers of short horror stories to accept submissions?

2 answers
2024-12-13 20:32

Typically, publishers look for originality. A unique take on horror that stands out from the common tropes. For example, a new spin on the haunted house concept. They also consider the writing quality. Good grammar, engaging prose, and a strong narrative voice are important. Like, if the story can hook the reader from the start.

What are the characteristics of 'the atlantic fiction'?

2 answers
2024-11-20 00:17

The settings in 'the atlantic fiction' are quite diverse. It might include coastal towns on both sides of the Atlantic, ships sailing the ocean, and islands in the Atlantic. These settings not only provide a vivid backdrop but also play a role in shaping the characters and their stories. For example, the isolation of an island can lead to unique character developments.

What are the characteristics of atlantic fiction?

2 answers
2024-11-05 15:27

Atlantic fiction often features themes related to the Atlantic region, such as the sea, coastal communities, and the cultural exchanges that occur across the Atlantic. It might also include elements of the history, like colonialism and trade that were prominent in the Atlantic area.

What are the submissions for flash science fiction?

3 answers
2024-11-23 06:31

Submissions for flash science fiction could be short stories that blend scientific concepts with fictional elements. For example, a story about time travel in a future society where technology has advanced to a point that allows for it, but with unforeseen consequences.

What are the requirements for YA fiction submissions?

2 answers
2024-09-28 08:14

The requirements can vary a lot. Usually, they look for a compelling story, well-developed characters, and good writing quality.

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