The language barrier can also be a problem. If the primary document is in an archaic or foreign language, it may be hard to fully understand and interpret. For example, if you're studying medieval human stories from a foreign region and the documents are in an old dialect, you need special skills and resources to make sense of them.
Another issue is authenticity. There could be false or misinformation in some primary documents. People might exaggerate or misremember things in their diaries or oral accounts. So, it's crucial to cross - reference and verify the information.
One way is to look for direct accounts of events. For example, diaries can give a day - by - day view of what an individual experienced during a particular period. This helps historians understand the human side of events.
Recall bias can be an issue. When people are asked to share their life stories, they may not remember events accurately. Memories can be distorted over time, and this can affect the reliability of the samples. For example, someone might overemphasize positive events and downplay negative ones.
One challenge is making the story interesting. Institutions can seem dull, so it's hard to engage the audience.
One challenge is getting people to open up. Invisible stories are often deeply personal, and people may be reluctant to share. For example, someone who has experienced trauma may not want to relive it by talking about it.
One challenge is the emotional toll on the storytellers. Survivors may have to relive their traumas. For example, a survivor of the Cambodian Genocide may find it extremely difficult to talk about their experiences.
Comedians may also struggle with how to present the truth in a fresh way. Since many topics have been covered before, they need to find new angles to tell their truth stories. Additionally, they have to be careful not to come across as preachy. The audience comes for entertainment, and if the comedian seems too much like they're lecturing while telling the truth story, the audience might lose interest.
The challenge of incorporating HIPAA into stories also lies in the fact that it can limit the creative freedom. Writers may want to disclose certain information for the sake of the story's development, but HIPAA restricts that. So, they need to find creative ways to work around it while still maintaining the integrity of the HIPAA regulations and the story's flow.
One challenge is the fear of not being believed. Many women worry that others will think they are lying or exaggerating. Another is the stigma attached. Society often blames the victim, which makes it hard for women to open up.
One challenge is memory lapses. Dementia patients may forget parts of the story they want to tell. Another is difficulty in finding the right words. Their language skills might be impaired. Also, they may get distracted easily and lose the thread of the story.
The challenges in collecting Australian science fiction are numerous. For one, there may not be a unified database or catalogue that lists all Australian science fiction works. This makes it difficult to know exactly what's out there. Additionally, the market for Australian science fiction may be smaller compared to more mainstream science fiction from other countries. Publishers might not invest as much in promoting or re - printing older works. And finally, the language barrier can play a role too. While most Australian science fiction is in English, there could be some works in Aboriginal languages or regional dialects that are overlooked during the collection process.