I woke up in the middle of the night. A shadowy figure was standing at the foot of my bed, staring at me with empty eyes.
The old house was silent. As he walked down the corridor, a cold hand reached out from the wall and grabbed his shoulder.
She heard a strange scratching at the door. When she opened it, there was nothing but a long, blood - stained claw mark on the frame.
The man entered the dark forest. Out of nowhere, a howl pierced the air and he saw pairs of glowing eyes closing in on him.
Just keep it simple and creepy. Start with a normal situation and end with a terrifying twist in the second sentence.
Well, start with a spooky idea. For the first sentence, describe something normal but hint at something off. Then, in the second sentence, reveal the horror. It's all about surprise and tension.
Well, start with a creepy concept. Then, make each sentence build the tension and shock. Keep it short and sharp to give that quick scare!
Another really scary one could be 'My phone rang at 3 am. The caller ID said it was me.' It plays on the idea of the self being something other or unknown, and calls at that time are always spooky.
Story 1: I woke up to a cold hand on my face. When I turned on the light, no one was there.
I woke up in the middle of the night. A shadowy figure was standing at the foot of my bed, its eyes glowing red.
First, come up with a terrifying idea. Then, in the first sentence, set the stage and hint at the horror. In the second sentence, reveal the full horror in a sudden and unexpected way.
You can start with creating a creepy setting. Like, 'The abandoned hospital was silent. A cold draft blew through the empty halls.' Or build tension with, 'I opened the closet door. A shadow lunged at me.'
Some two - sentence horror stories are truly spine - chilling. For example, 'I woke up to a noise in the kitchen. When I got there, all the knives were floating.' The simplicity of the setting and the unexpected, supernatural element make it effective. Another one could be 'She heard a baby crying in the attic. She doesn't have a baby.' It plays on our primal fears of the unknown and the unexpected in a very short space, creating a sense of unease and horror.