Filmmakers often start by doing in - depth research. They study historical records, interview people related to the story if possible. Then they condense the key elements of the real story to fit the movie format. For example, in 'Hidden Figures', they focused on the main events and achievements of the female African - American mathematicians at NASA.
Filmmakers usually look for the emotional core of the real story. They build the plot around that. They also recreate the settings and time periods accurately. In 'A Beautiful Mind', they delved into the life of John Nash. They not only showed his academic achievements but also his struggle with mental illness, using real - life details and creating a compelling narrative.
Monster films adapt real stories by taking the basic concept. For example, if there's a real - life legend of a sea serpent, the film might use the idea of a large, aquatic monster. Then they add fictional details like the ability to breathe fire or having a hypnotic gaze. They also create characters and a plot around the monster. So instead of just a random sighting in a real story, in the film there could be a group of scientists trying to study or defeat the monster.
The filmmakers likely took the core elements of the real story, such as the idea of a child with a hidden, disturbing nature, and built a fictional narrative around it. They might have exaggerated some aspects for dramatic effect. For example, Esther's actions in the movie are very extreme.
They do a lot of research. This includes reading historical documents, interviewing people who were involved or have knowledge about the events. For example, for a biopic, they might interview the subject's family and friends.
Films based on stories often simplify the original plot. They need to condense a long story into a two - hour or so movie. For example, in 'The Hobbit' films, some of the side - stories from the book were either cut or streamlined to keep the main plot moving forward. Another way is by emphasizing certain aspects more. In 'Gone Girl', the psychological thriller aspect was enhanced compared to the book.
Filmmakers tell stories by first having a concept. Then they gather a team, including actors, to bring the story to life. Sound design is another important aspect. The right music and sound effects can enhance the story's atmosphere. They also use mise - en - scene, which is everything within the frame, like the set design and actors' costumes, to tell the story subtly.
They probably took the key elements of the true story, like the spooky setting and the main events, and added their own cinematic twists.
They simplify the real stories. For example, if it's a historical real story, they might cut out the complex political parts. Just like in a cartoon about a famous explorer, they'll focus more on the adventure part rather than the economic and political reasons behind the exploration.
Gucci films convey their real stories through visuals. They use high - quality cinematography to showcase the products in beautiful settings. For instance, a Gucci bag might be shown in an opulent Italian villa, which gives a sense of luxury and heritage. The use of color is also important, as Gucci is known for its distinct color palettes that can help tell the story of a particular collection.
Filmmakers often do a lot of research. They might interview people who were part of the real events. For example, for a movie based on a historical event, they'll talk to historians and survivors.
Well, they first have to identify the central themes of the novel. In a film based on 'Moby - Dick', the themes of obsession and man vs. nature need to be carried over. Then, they might change the sequence of events a bit for dramatic effect. In 'Dracula' films, the order of some of the vampire's encounters might be adjusted. They also have to make decisions about how much of the novel's dialogue to use. In 'A Tale of Two Cities' films, some of the famous lines from the novel are often included to stay true to the source, but other dialogue might be created for the flow of the film.