Another approach is to have her grow up in an environment where showing emotions was seen as a weakness. Maybe she was raised in a strict military family or a highly competitive society. So, she learned to hide her feelings from a young age, and this behavior continues when she enters the romantic story. This makes her come across as emotionless as she doesn't easily show vulnerability or affection.
One way is to give her a tragic past. For example, if she has been betrayed or lost someone dear in a cruel way, it could lead her to close off her emotions. This past trauma can be a driving force that makes her reluctant to show or feel emotions in the romantic context of the novel.
You can also make her highly focused on other aspects of her life like a career or a mission. If she is a dedicated scientist or a warrior with a goal that she believes is far more important than love, she may seem emotionless. For instance, she might view emotions as a distraction from her important work, so she suppresses any romantic feelings that start to surface.
She may be very reserved in her expressions. For example, she doesn't smile easily or show excitement. When the hero tries to flirt or be affectionate, she might respond with a cold stare or a simple nod.
There were many novels where the female protagonist was cold and emotionless, such as: 1 "Snow Falling Fragrant Fir"-Dream Back to the Tang Dynasty 2."Poisonous Concubine Daughters"-Bu Jingyun 3 "Beautiful Unending"-Unending 4 "Palace Heart Locking Jade"-Yang Mi 5 "Step by Step"-Yang Mi 6 "Thousand Bones of Flowers"-Zhao Liying 7 "Chu Qiao Biography"-Zhao Liying "Fuyao"-Yang Mi 9."The Poisonous Daughter of a Concubine"-Bu Jingyun Ruyi Biography-Yanxi Strategy The female protagonists of these novels all had a cold appearance and complexity in their hearts. Their handling and decision-making methods were very decisive and without a trace of emotion. These novels were very popular and loved by readers.
Slowly. The hero has to be patient. He can't rush the skittish heroine into anything. He might start by being just a friend, gradually earning her trust.
Challenges also play a role in developing this dynamic. External factors like family opposition or misunderstandings can test the hero's adoration. But if he overcomes these challenges, it shows the depth of his love for the heroine. For example, if the hero's family doesn't approve of the heroine because of her lower social status, the hero has to fight for their relationship, which in turn strengthens his adoration for her.
The hero might start doing small acts of kindness for the heroine, even if she initially rejects them. Over time, these acts can wear down her defenses. For example, if the heroine loves books and the hero starts leaving rare books for her at her doorstep anonymously. Eventually, she'll start to wonder who is behind it and might soften towards the hero.
Through communication. If they start talking, the heroine may realize that the hero is not as scary as she thought. For example, the hero could share his own fears and dreams, which would make him more human in the heroine's eyes.
In such a romance novel, the plot often becomes more passionate. The heroine's condition could be a catalyst for deepening the connection with the hero or could introduce unexpected rivals or obstacles to their love story.
Develop his relationships in a new light. His friends might be constantly trying to reach out to him, but he just doesn't respond in the way he used to. This could create a lot of tension and drama. For instance, Sakura might be frustrated that she can't get through to him, and Naruto doesn't understand why she's so bothered. It's a new dynamic that can be explored.
Often, at first there is a lot of animosity. The heroine is understandably angry and scared due to being kidnapped. But as the hero shows some kindness or vulnerability, the heroine begins to see him in a different light. For example, he might protect her from other threats while she is in captivity.
Often, the heroine disguises herself to gain access to something she couldn't otherwise. For example, in historical settings, she might disguise as a man to enter a male - only area like a university or a military camp. Then, she meets the hero in this new 'identity'. As the story progresses, there are usually challenges in keeping up the disguise, like almost getting caught. And there's the development of romantic feelings between her and the hero, which becomes complicated because she's not being entirely truthful about who she is.