How can a writer create a spontaneous ending of a story?

A writer can start by going back to the beginning. Look at the story's initial premise and the character's goals. Then, make sure the ending ties in with those. For instance, if the story began with a character seeking revenge, the ending should show whether they got it or not. Also, avoid introducing completely new elements at the end. It should feel like a natural progression from what has come before.

By bringing back important themes from the beginning. If the story started with a theme of friendship, then showing how that friendship has either been strengthened or transformed at the end can create a good ending.

To create a good ending, a writer should consider the character arcs. The ending should be the culmination of the characters' development. If a character was initially shy but learned to be brave, the ending could show them using their new - found courage in a big way. Also, using foreshadowing effectively can make the ending more impactful. If there were small hints throughout the story about a certain event in the ending, it will seem more natural. Another tip is to read the ending aloud to check if it flows well and feels right.

To create a story with an unexpected ending and be impressive, a writer should first focus on creating relatable characters. When readers care about the characters, any unexpected turn in their fates will be more impactful. Then, the writer can introduce elements that seem to be going in one direction but then suddenly shift. For example, in a love story, the couple seems to be on the verge of breaking up, but then an unexpected event like a long - lost relative's inheritance brings them closer together. This kind of twist makes the story both unexpected and impressive.

To create a great ending, a writer should first ensure that it satisfies the overall theme of the story. If the story is about friendship, the ending should somehow reflect on the nature of friendship. Second, avoid leaving too many loose ends. The reader should feel that the story has been fully told. Third, use strong imagery or dialogue in the ending. A powerful last line can stay with the reader for a long time. For instance, 'It was the best of times, it was the worst of times' is a famous opening, but a great ending could have a line that is just as impactful, leaving the reader with a vivid mental picture or a thought - provoking statement.

One key element is surprise. For example, in a mystery story, the culprit turns out to be the least suspected character, which makes the ending spontaneous. Another element could be simplicity. Sometimes, a story just ends without a big fuss, like a character finally making a simple choice that resolves all the internal conflicts.

Well, a writer should understand the essence of the story. Highlight the central conflict, the resolution, and any unique elements. Don't include too much minor detail. For instance, in a love story, mention the relationship development and the main emotional turning points. And use clear and simple language in the digest.

A writer can create a full circle by having a character's emotional state return to where it started but in a different way. Say a character starts the story feeling lonely. Through the story, they find friendship and love. But then, at the end, they experience a loss that makes them feel lonely again, yet this time they have the memories of the good times, which is a more complex form of that initial loneliness. It's about taking the character on a journey and then bringing them back to a similar emotional place.

First, research is key. The writer needs to understand the time period they are writing about. This includes things like the culture, the technology, and the social norms. For example, if writing about the 19th century, knowing how people dressed, what they ate, and how they communicated is important.

Use accurate historical details. For example, if the writer goes back to Victorian England, describe the fashion, the architecture, and the social norms correctly. Also, the character's reaction to the time period should be believable. If they are shocked by things like horse - drawn carriages in a time when they are common, it would seem off.