Space bodies can act as a contrast. In British post - war fiction, the working class was firmly grounded in the earthly problems. Space bodies, being so otherworldly, can be used to highlight the differences. It can also be a way to show how the working class was sometimes overlooked, just as space is so vast and we often overlook certain aspects of it.
It can add a sense of grandeur. The working class, which was often depicted in a rather mundane way in post - war Britain, could be elevated by the concept of space bodies. It gives them a new dimension, like they are part of a bigger universe of possibilities.
In British post - war fiction, the working class was a central subject. When considering'space body', it might be related to the sense of displacement. The working class often had to adapt to new environments, much like how astronauts adapt to space. Their experiences were shaped by the post - war reconstruction, and this can be seen in how characters in fiction deal with changes in a similar way to dealing with the unknown in space.
In British post - war fiction, the Space Body Class can influence the genre in multiple ways. Firstly, it can inspire new character archetypes. Think of the brave space explorers with their physically and mentally toughened bodies. Secondly, it can affect the narrative structure. Stories might follow the journey of a character from an ordinary post - war life to becoming part of the space body class. This transformation can add depth and excitement to the plot. Also, it can introduce new moral and ethical questions. For instance, if a character in the space body class discovers a new form of life in space, what are their responsibilities? This can engage readers and make the fiction more thought - provoking.
British post - war fiction often explored new frontiers, and the idea of'space body class' could be a way to examine the changing identities. Space exploration might bring about a new class system where the body's capabilities in space become a measure of one's worth. For instance, a character with better physical endurance in microgravity could be part of a higher 'space body class'. This concept also allows authors to comment on post - war society's values, such as the emphasis on technological advancement and how it reshapes human relationships and hierarchies.
One of the best is 'Saturday Night and Sunday Morning' by Alan Sillitoe. It vividly portrays the life of a young factory worker in Nottingham. Another great one is 'A Taste of Honey' by Shelagh Delaney, which explores the relationship between a young working - class girl and her mother. 'The Ragged - Trousered Philanthropists' by Robert Tressell is also a classic, showing the exploitation of workers in the building trade.
In gender bending science fiction, relationships are often more fluid. For example, in a world where gender can change, the concept of romantic relationships isn't based on traditional male - female dynamics. Partners may change genders during the course of a relationship, leading to a more complex and less - defined form of love.
In science fiction, femdom can challenge traditional gender roles. It shows that women can be in positions of power, like in 'Star Trek' where female characters often hold important leadership positions. This challenges the old idea that only men can be leaders in a high - tech and futuristic setting.
One major trend is the exploration of social change. Post - war Britain had significant shifts in class structure, and many novels delved into how this affected individuals and society. For example, works by John Osborne showed the disillusionment of the working class. Another trend was the experimentation with narrative forms. Writers like Virginia Woolf had already started this before the war, but post - war authors continued to break traditional narrative structures to better convey complex ideas. Also, there was a trend towards more realism in depicting the lives of ordinary people, including their daily struggles, relationships, and hopes.
The post - war British fiction was marked by a sense of realism. Writers like Graham Greene presented a gritty view of life, dealing with moral ambiguity. There was also a focus on the domestic sphere. After the upheaval of war, the family unit and home life became important subjects. This was a way to explore how normalcy was being re - established or disrupted.
Well, simply put, there's a trend of showing the social upheaval and its impact on people. Then there's the trend of new narrative experiments. And also, the focus on the real lives of common folks. That's it in a nutshell.
Iris Murdoch is an important figure. Her novels often explored moral and philosophical issues within the context of post - war society. Another is Kingsley Amis. His works were known for their satirical take on the social and cultural changes of the time.