The cop might get an informant. Maybe one of the coach's associates or someone in the drug - dealing network has a change of heart or is looking for a deal. This informant can provide inside information about the coach's activities, such as when and where he is going to make a big drug push. Then the cop can set up a sting operation to catch him red - handed.
Another way is by following the drug supply chain. The cop could start from the bottom, arresting small - time drug users and getting information from them about where they got the drugs. By gradually working his way up the chain, he could eventually trace it back to the coach. This would require a lot of detective work, interviewing multiple people, and piecing together different bits of evidence, but it could lead to the coach's arrest.
The coach might be doing it for financial gain. Maybe he has some debts or wants to live a more luxurious lifestyle. Drugs can be very profitable in the illegal market.
The cop might feel flattered. It's always nice to have someone show positive attention.
One significance could be that she is trying to build a connection. Just like how we make friends by small gestures, her wave might be the start of a friendship. Maybe she wants to get to know the cop better, learn about his job or just have someone new to talk to.
In most cases, it's not illegal. But it depends on how you do it and the context.
Typically, the bad cop is the one who intimidates. He's rough, shouts a lot, and tries to break the suspect's will. The good cop, on the other hand, is calm, friendly, and seems more reasonable.
The 'good cop bad cop story' is a well - known concept. In this kind of story, there are two main characters which are the 'good cop' and the 'bad cop'. The 'bad cop' will often use intimidation tactics. For example, shouting, making threats, or just being generally unpleasant to the person being interrogated. This makes the person feel cornered and scared. Then the 'good cop' enters the scene. He might offer a cigarette, or start a friendly conversation. He gives the impression that he can help the person out of their difficult situation if they just cooperate. It's a classic storytelling device that can be found in many detective novels, movies and TV shows.
Well, start with a compelling character. Make your cop have a unique personality and backstory. Also, a complex mystery or crime to solve keeps the readers engaged.
Well, cops usually verify a story by conducting thorough investigations. They might look into things like surveillance footage, phone records, and the credibility of the people involved. They also might check for any contradictions or inconsistencies in the details provided.
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Well, cops usually verify a story by gathering as much information as possible. They might talk to people involved, look at surveillance footage if available, and compare the details with other known facts. Sometimes, they even use forensic analysis to support or disprove the story.