How can one find a 'good catch' for an action story?

A unique and engaging protagonist can be a good catch for an action story. For example, a character with extraordinary skills like a martial arts master or a tech - savvy hacker. Their abilities can drive the action forward and make the story exciting.

Catching a real story involves a combination of things. Firstly, having a nose for news. This means being able to sense when there is something interesting going on. Secondly, research is important. If you hear about a potential story, dig deeper. Look for facts, talk to witnesses if it's an event - based story. Thirdly, be patient. Real stories don't always present themselves immediately. You might have to wait for the right moment or keep following up on leads. And don't be afraid to ask questions. Whether it's to people involved in the story or just those who might have some relevant information, asking questions can help you catch that real story.

Search engines can also be useful. Just type in 'best action web novels' and you'll get a list of articles and blog posts that recommend different action web novels. You can then explore these recommendations and see which ones catch your interest.

First, create a strong protagonist. They should be capable but also have some flaws. For example, like Jason Bourne in 'The Bourne Identity', he's a skilled fighter but has amnesia which adds an interesting layer. Second, build a fast - paced plot. Keep the action coming. In 'The Da Vinci Code', there are constant chases and revelations. Third, add mystery and suspense. Don't reveal everything at once. In 'Gone Girl', the mystery of what really happened to the woman keeps the readers hooked.

One important aspect is to gather as much evidence as possible from the real - life case. This includes things like forensic evidence, witness testimonies, and any physical items left at the crime scene. Police often have to meticulously analyze all these elements to build a profile of the killer.

You can identify the falling action by noticing when the pace of the story slows down from the high - energy climax. The story will shift from the main action of the climax to showing the results. For example, if the climax was a battle between two kingdoms, the falling action might be the negotiation of a peace treaty and the characters reflecting on what happened during the battle.

One way to identify the falling action is to pay attention to the pacing of the story. After the fast - paced climax, the story's tempo slows down during the falling action. For instance, in a fantasy story where the characters have just defeated an evil sorcerer (climax), the falling action might be them discussing how to rebuild their kingdom. The focus shifts from the intense action of the climax to more subdued activities that lead towards the resolution. Also, look for the part where secondary characters start to react to what has happened in the climax.

One way to identify the falling action is to pay attention to the characters' actions. If they are no longer in the heat of the main struggle but are instead dealing with the consequences or tidying up loose ends, it's probably the falling action. For instance, in a coming - of - age story, after the main character has a big realization (climax), if they are then sharing their new - found wisdom with friends or family and making small changes in their life, that's the falling action.

First, create a dynamic protagonist. A character who is brave, resourceful and has a clear goal. For example, a fearless explorer aiming to reach an uncharted island.

Search for online action story anthologies or collections. There are websites that curate and publish collections of short action stories. You can also look for blogs that review and promote online action stories. These blogs often give detailed summaries and reviews, which can help you decide if a particular story is worth reading. Moreover, don't forget to check out the websites of independent authors who might be publishing their action stories for free or at a low cost.