One way is to introduce red herrings. Make the reader suspect different characters of the crime. Another method is to have a ticking - clock element, like the detective has a limited time to solve the case before something bad happens. You can also play with the narrative structure. Maybe start the story with the crime already committed and then go back and forth in time to show how everything led up to it and how the detective is trying to figure it out.
To create suspense, you can withhold important information from the reader. Let them piece things together slowly. Also, build up tension by having the criminal seem always one step ahead of the detective for a while.
One way is by delaying the revelation of key information. For instance, keep the identity of the real culprit hidden until the very end.
Crime novelists in fiction create suspense in multiple ways. One important method is by setting up a sense of danger. They put their protagonists in perilous situations, like a detective being chased by an unknown assailant in a dark alley. This immediately grabs the reader's attention. Also, they use red herrings. These are false clues that mislead the reader. In a typical crime novel, a suspect may be presented as very likely to be the criminal, but later it turns out they are just a distraction. They also play with the element of time, like setting a deadline for the crime to be solved or for a character to be saved.
In 'monster crime novel', the very presence of a monster creates horror. For example, a werewolf or a vampire. These are creatures that go against the normal laws of nature. The unknown nature of the monster's abilities and motives keeps readers in suspense. We don't know when it will strike or how to stop it. And the crimes they commit are often brutal and unpredictable, adding to the horror and suspense.
Fiction crime novels also create suspense through character development. If the main character is in danger, and we've come to care about them through the development of their personality and backstory, we'll be more on edge. Take 'The Silence of the Lambs' for instance. Clarice Starling is a well - developed character, and as she gets closer to the serial killer, the suspense builds.
Well, the setting can play a big role. If it's a dark, isolated place like in 'The Silence of the Lambs' with the prison cell scenes. The unknown is also a factor. The more the reader doesn't know what will happen next, the more tense they feel. And the use of foreshadowing, like in 'The Girl with the Dragon Tattoo' where little hints are dropped early on about the big revelations later.
A satisfying ending often involves a transformation of some sort. It could be the main character's view on life, or a change in the power dynamics in the story world. For example, in a dystopian novel, the ending could show the fall of an oppressive regime and the rise of a more just society. This gives a sense of hope and progress. Also, the ending should feel earned. It can't be something that just randomly happens. There should be a build - up throughout the story so that when the ending comes, the reader feels it was inevitable in a good way.
A crime short story can create suspense in several ways. Firstly, by introducing an unreliable narrator. The reader is constantly doubting what they are being told, which adds to the tension. Secondly, the use of foreshadowing. Hinting at future events without giving away too much makes the reader eager to find out what will happen. And thirdly, having multiple suspects with equally valid motives keeps the reader guessing about who the real criminal is. For instance, if all the suspects seem to have a good reason for wanting the victim dead, the reader will be on the edge of their seat trying to figure it out.
One way is through the use of setting. For example, describe a dark, abandoned alley where the crime took place. The overgrown weeds, the broken streetlights, and the damp walls can all add to the sense of unease. Another way is to delay the revelation of key information. Don't immediately show who the culprit is. Let the reader wonder as the detective follows different leads. For instance, introduce several suspects with their own motives and alibis, making the reader guess which one is the real criminal.
Mystery novels often have a lot of unanswered questions. The fact that the reader doesn't know who the culprit is or how the crime was committed keeps them in suspense. Also, the red herrings, those false leads, make the reader second - guess their assumptions. And the characters' motives being unclear adds to the mystery and suspense. For instance, a character who seems innocent at first but has a hidden past related to the mystery.
Heist novels create suspense through various means. One way is by carefully revealing the plan of the heist bit by bit. For example, in 'The Thomas Crown Affair', we learn about the art heist plan in stages, which keeps us guessing. Another way is by introducing unexpected obstacles. In 'Ocean's Eleven', there are always new problems that pop up during the casino heist planning. And the characters' personalities also add to the suspense. If they're unreliable or have hidden motives, like in 'The Hot Rock', it makes the reader wonder what will happen next.