Science refutes the concept of past life stories by relying on its fundamental principles. Science demands objective evidence, and for past life stories, there is none. The idea of past lives often involves the transfer of some form of consciousness or memory. However, in the realm of neuroscience, memories are formed and stored within the physical structure of the brain. There is no evidence to suggest that these memories can exist independently of the brain and be transferred to another life. Additionally, from a biological perspective, the development of an individual is determined by genetic and environmental factors, not by some pre - existing past life. Psychologically, some people may seem to have memories of past lives, but these can be explained by suggestibility, false memory formation, or cultural conditioning, not by an actual past life.
Sphere science fiction often presents alien life in unique ways. For example, in works like 'Solaris', the ocean on the planet acts as a form of alien life that is so different from what we expect. It doesn't follow the usual biological forms we are familiar with. Another way is through the creation of artificial environments where alien life might exist, like in the case of a huge spherical space station or an enclosed planet - like structure.
It might show alien bugs as having very different biological structures compared to Earth - based bugs. For example, they could have silicon - based exoskeletons instead of carbon - based ones.
Often, it assumes different conditions on each planet in the double - planet system. These differences can lead to the evolution of diverse alien life forms. For example, if one planet is closer to the star and hotter, life there might adapt in ways very different from life on the cooler, more distant planet.
It often adds a sense of mystery. For example, if a dead character returns, the other characters have to figure out how and why. It also can create a lot of tension, especially if the returned dead has some sort of malevolent intent like in zombie stories.
The found family in science fiction can drive the plot. In 'Battlestar Galactica', the survivors on the ships form a found family. Their need to protect each other, their internal conflicts within this family - like group, and their joint efforts to survive all shape the story's direction. It gives a reason for characters to act in certain ways, like sacrificing for the 'family' members.
The concept of family first has greatly influenced my life story. I was raised in a family that emphasized family unity. So, in every decision I make, I think about how it will affect my family. When I got married, I made sure that my partner also values family first. This has led to a harmonious family life and has been a central theme in my life's narrative. I have also passed on this value to my children, so it continues to shape our family story for generations.
It might explore identity by showing how the 'ghost' state makes the character question who they are. Since they are in a liminal state, not fully alive in the traditional sense, their identity becomes fluid.
It might develop by showing the different characters' lives as different flowers. For example, a young and innocent character could be a daisy, while a more complex and mature one might be a rose. As the story progresses, we see how these 'flowers' grow, face challenges, and change, just like real flowers do in different seasons.
Well, in science fiction, the 'split woman' concept can function as a device for exploring duality. For example, a woman could be split between her human self and a cyborg self, like in some cyberpunk stories. This allows the exploration of what it means to be human when part of you is machine.
Time is a crucial factor in the aesthetic of science fiction. Time dilation, for example, can create a sense of mystery and distortion. It makes the familiar seem strange as characters experience time in different ways. Time travel, on the other hand, allows for complex narratives and the exploration of cause - and - effect relationships across different eras.