Can a foregone conclusion and an origin story coexist in a narrative?

A foregone conclusion is something that is considered already decided or inevitable. For example, in a sports match where one team is far superior, their victory might be a foregone conclusion. An origin story, on the other hand, is about how something began. It could be the origin story of a superhero, like how Superman came to Earth. So, the main difference is that one is about an end result that's almost certain, and the other is about the start of something.

Xiao Wu's death had already become a foregone conclusion, but in what way she would leave the stage in the end still needed more information to be determined. In the novel, Xiao Wu's death could be achieved through some means, such as being killed by the enemy or leaving this world voluntarily. There were also other possible endings such as Xiao Wu achieving immortality in some way or becoming a hero or leader's wife and so on. To answer this question, one needed to know more about the plot of the novel, such as why Xiao Wu died, how her final ending was determined, how she left the scene, and so on.

A forgone conclusion is something that is regarded as certain or inevitable. For example, in a simple race where one runner is far superior to the others, their victory might be a forgone conclusion. An origin story, on the other hand, is about how something began. It could be the origin story of a superhero, like Superman coming from Krypton. The key difference is that one is about certainty and the other about beginnings.

To identify a forgone conclusion in literature, look for signs where the plot seems to be leading in only one direction without much chance of deviation. For instance, if a villain has no real counter to the hero's power and the hero is on a path to victory, it's a forgone conclusion. In contrast, an origin story in literature will be centered around the creation or origin of a concept, character or place. It might have details about the early days, the initial circumstances. For example, an origin story of a fictional kingdom would tell about its first settlers, the reason for its founding, etc. A forgone conclusion is more about the end result that is easily foreseeable, while an origin story is about the start.

The choice of words also determines the level of detail. Specific words about geographical features, like'mountain', 'river', or 'forest' can make the origin story more grounded in a particular place. General words like 'existence' or 'being' can be more philosophical and less location - specific. Words can also create a sense of mystery or clarity. Words like 'enigma' or 'riddle' can make the origin story seem more mysterious, while words like 'explanation' or 'account' can make it seem more straightforward.

The term 'foregone novel' is rather unusual. 'Foregone' typically implies something that is already concluded or a foregone conclusion. In the context of a novel, it could mean a few different things. Maybe it's a novel that is based on a story that everyone already knows the end to, like a retelling of a well - known myth or legend where the outcome is 'foregone'. Or it could be a novel where the writer is trying to play with the idea of inevitability, creating a story where the ending seems pre - ordained from the start, perhaps to make a point about fate, destiny, or the inescapable nature of certain human experiences.

An origin story can still be good if it's told in an engaging way and provides new insights. But if it's too predictable or drawn-out, it might not work. So, it really varies based on the execution.

Skipping the origin story can often speed up the pacing. Without having to explain how everything began, the story can jump right into the main events. This can make the start more exciting and engaging.

Sure it can. A personal story can add a unique and relatable touch to the conclusion, making it more engaging and memorable.

The conclusion doesn't always mean the story is over. It could lead to spin-offs, sequels, or simply leave certain elements open-ended for the reader's imagination.