A sudden change in tone can also end dialogue in a dramatically effective way. Imagine two characters having a light - hearted conversation, and then one suddenly says in a serious, cold voice, 'This was all a lie.' And just like that, the dialogue is over. It jolts the reader and makes them re - evaluate everything that has been said before. Another way is to end with a gesture that speaks louder than words. For example, a character throws a ring at the other and says, 'Our engagement is off,' and then walks away, ending the dialogue with a very visual and impactful moment.
You can also end the dialogue with a prophetic statement. Suppose two characters are talking about a future event, and one says, 'Mark my words, this will end in disaster.' And then the scene changes, leaving the reader to wonder about what will happen. This adds a touch of drama. Additionally, an unexpected revelation at the end of the dialogue can create a dramatic effect. For instance, 'She said, "I'm not who you think I am. I'm your long - lost sister." And with that, the dialogue ended, leaving the other character in shock.
One way is to have a character simply walk away, leaving the other in silence. For example, 'She turned on her heel and strode out of the room, without another word.' Another way could be through a final, profound statement that leaves no room for further conversation, like 'He said, "This is where our paths part, forever." And that was it.'
Sometimes, a dialogue might end with a mutual understanding or agreement between the characters, providing a sense of closure for that particular conversation.
Dialogue in a short story can be ended with a sudden change of topic. Say, they were discussing their future plans and then one of them says, 'Forget all that. Look at the beautiful sunset.' This unexpected shift gives a sense of closure to the dialogue. Another approach is to use silence. After a significant exchange, the characters just stop talking and the story moves on, like 'Their eyes met, words seemed unnecessary, and the silence filled the room as the story continued.' Also, a character's realization can end the dialogue, for example, 'As they talked, she suddenly realized, "I don't need this." And with that, the conversation ceased.'
Ending with a moment of self - discovery for the main character is good. Let's say the character has been on a journey of self - hatred, but at the end, they finally accept and love themselves. This internal transformation can be a powerful way to conclude the novel.
One way to end dialogue well in a short story is through the use of ellipses. For instance, 'She started, "I think..." and then the story moves on. This creates a sense of the conversation trailing off. Another effective method is to have a character cut off another character mid - sentence, like 'He was saying, "But we should..." when she interrupted, "Enough."' Also, ending with a rhetorical question can be great. For example, 'They were discussing their past when he asked, "Can we ever really go back?" and the dialogue ended there, leaving the reader to think.
One way is through internal monologues. Instead of having characters directly speak to each other, the author can show a character's thoughts as if they are talking to themselves. This can give a deeper insight into the character's mind. Another way is using letters or notes. Characters can communicate by writing to each other, and the author can use this to build suspense or add a sense of distance between the characters. Also, action - based dialogue can be used. For example, a character's actions can imply what they would say. If a character slams a door, it might imply anger or frustration that could be equivalent to a verbal outburst.
A good one might be 'As the sun set on that fateful day, he knew that the journey was over, but the memories would live on, like stars in the night sky. Every adventure has its end, but this end was just the start of a new story, locked away in the hearts of those who lived it.'
You can end a story with a cliffhanger if you plan on writing a sequel. It keeps the readers interested and eager for more. However, this should be done carefully as it can also frustrate some readers if not handled well.
A pure dialogue style could be used to write a novel, but one needed to pay attention to the structure and rhythm of the dialogue, as well as how to portray the character's personality and emotions. If the dialogue was too dull and lacked plot and background, it might be difficult for the readers to understand and resonate with it, thus affecting the effect of the novel. When writing a dialogue novel, you can strengthen the tension and expression of the dialogue by setting the background and plot so that the reader can better integrate into the story. For example, by describing the psychology and situation of the characters, the dialogue would be more vivid, real, and touching. At the same time, it could also show the character's personality and emotions through dialogue, allowing the reader to better understand and understand the character. A pure dialogue style could be used to write a novel, but it needed to be combined with the plot and characters to enhance the performance of the dialogue to achieve better results.
A tragic ending can also be a way. Such as the hero sacrificing themselves for a greater good. It can leave a deep emotional impact on the readers, making them think about the story long after they've finished reading. This kind of ending often adds a touch of realism as life doesn't always have happy endings.