Can you recommend some good metafiction visual novels?

Well, 'Katawa Shoujo' can be considered in a way. It has elements that make the player aware of the fictional nature of the story. The characters' self - awareness and the way the story is presented sometimes step out of the typical visual novel framework. Then there's 'Clannad'. Although it may not be as overtly metafictional as some others, certain arcs in the story play with the concept of changing the story's path, which has a metafictional touch. And 'Muv - Luv' also has metafictional elements especially when it comes to different timelines and the manipulation of the narrative.

One more is 'If on a winter's night a traveler'. This novel is very self - referential. It directly addresses the reader, making the reading experience feel like an interactive journey. It's not just about the story it tells on the surface, but also about the act of reading and how stories are created and consumed.

One popular metafiction graphic novel is 'Watchmen' by Alan Moore. It deconstructs the superhero genre and makes the readers think about the concept of heroes and the world they live in. Another is 'Maus' by Art Spiegelman, which uses the medium of graphic novels in a very meta way to tell the story of the Holocaust. It makes the readers aware of the process of storytelling and how it can be used to convey such a heavy and complex topic.

Another is 'Homestuck'. This web novel is highly metafictional. It contains self - referential humor, constantly breaks the fourth wall, and has a very complex and ever - evolving narrative. It also makes use of different media forms like animations and interactive elements within the story, which adds to its metafictional nature.

For beginners, 'Stardust' by Neil Gaiman could be a good choice. It has a fairy - tale - like quality but also plays with the idea of different worlds and the nature of storytelling. 'James and the Giant Peach' by Roald Dahl also has some metafictional touches. The over - the - top nature of the story and the way Dahl tells it makes the reader think about how stories are created. And 'Charlie and the Chocolate Factory' by the same author also has some elements that border on metafiction, like the strange and wonderful world that seems to be created out of pure imagination.

Sure. One well - known metafiction short story is 'The Babysitter' by Robert Coover. It plays with different narrative levels and the idea of multiple possible realities within a single story. Another is Jorge Luis Borges' 'Pierre Menard, Author of the Quixote', which blurs the lines between author, text, and reader in an interesting way.

Metafiction visual novels often break the fourth wall. For example, characters might directly address the player or make references to the fact that they are in a fictional work. In regular visual novels, the story usually unfolds in a more straightforward way within the fictional world. Metafiction ones also tend to play with the narrative structure more. They may change the rules of the story as it progresses or have different levels of reality within the story.

A metafiction visual novel often blurs the line between the fictional world and the real world. It might have characters who are aware they are in a story, for example. This self - awareness adds an interesting layer to the narrative.

Sure. 'Lost in the Funhouse' by John Barth is a great metafiction short story. It constantly self - references and plays with the form of a short story itself. It's like the story is aware that it's a story being told. Then there's 'Snow White' by Donald Barthelme. It takes the well - known fairy tale and deconstructs it in a metafictional way, making the reader aware of the process of storytelling. Also, 'City of Glass' by Paul Auster is a good example. It has elements that make the reader question the nature of the narrative and the role of the author.

Another example could be some of the short works by Angela Carter. Her stories often blend historical elements with metafictional devices. For instance, she might take a well - known historical setting or character and then subvert it through self - referential and metafictional storytelling techniques. This makes the reader question not only the historical narrative but also the act of storytelling itself.