What are the main tensions in detective fiction?

The tensions make it exciting. For example, the tension between the detective and the criminal creates a sense of competition that keeps readers engaged. They want to see who will win in this battle of minds. Also, the mystery - related tensions like the unknown elements keep readers guessing, which is a big part of the allure.

It could be that the novel increased tensions over sectional tensions by depicting competing economic interests and cultural clashes between different areas. The detailed descriptions of these differences and the resulting disputes likely intensified the tensions.

The tension in literature referred to the tension or conflict in the plot or the emotional development of the characters in the work. In literature, tension can be reflected through the ups and downs of the plot, the contradictory psychology of the characters, the expression of language, and other factors. A good story usually has a certain tension, which can attract the reader's attention and encourage the reader to explore the plot and characters in the work more deeply. At the same time, the tension can also bring a certain sense of tension and excitement to the work, so that readers can feel the emotional conflict and tension in the work and better experience the meaning and value of the work. In literature, tension is a very important concept. It can be embodied through different techniques and techniques to bring more charm and appeal to the works.

Typical conventions include a mysterious crime, often a murder. There's a detective figure, who is intelligent and observant. Clues are scattered throughout the story for the detective and the reader to pick up on. And there's usually a process of elimination as the detective rules out suspects.

Well, there has been a shift in the narrative style of detective fiction. Earlier, it was more linear, with the detective gradually uncovering clues and leading to the solution. Now, non - linear narratives are common, with multiple timelines and perspectives. Moreover, the relationship between the detective and the criminal has also changed. It's not just a simple 'good vs. bad' anymore; sometimes there are moral ambiguities and the criminal might have a sympathetic backstory.

Soviet detective fiction also had a distinct narrative style. It tended to be more descriptive, painting a vivid picture of the Soviet landscape, society and the people. The pacing could be different from Western detective fiction, sometimes taking more time to develop the setting and characters before delving fully into the mystery - solving aspect. And there was often a sense of moral and social responsibility in the stories, with the detective not just solving the crime for the sake of it, but also for the betterment of society.

One main element is the detective character. There are the hard - boiled detectives like Sam Spade, who are tough and cynical. Another element is the mystery itself, which can range from a simple murder in a small town to complex conspiracies. Also, the setting is important. It could be a gritty urban environment or a peaceful countryside village, each adding different flavors to the detective story.

The main characteristics include the subversion of traditional detective fiction tropes. In postcolonial detective fiction, the idea of the all - knowing, white detective is often challenged. Instead, we might have a detective from the postcolonial society who has a different perspective. The themes also revolve around issues like identity. Characters are constantly grappling with their postcolonial identities, whether it's related to nationality, ethnicity, or class. Moreover, the language used can be a blend of local dialects and the colonial language, which reflects the hybrid nature of postcolonial cultures.

In '20 rules of detective fiction', there are important aspects like the criminal must be someone mentioned in the early part of the story. This gives a sense of fairness as the reader can suspect those characters from the get - go. Also, the means of detection should be rational. No far - fetched or illogical methods should be used to figure out who the culprit is. And the detective himself should not turn out to be the criminal in a way that is not hinted at all through the story.

The setting is often an important convention. It could be a fog - filled London street in the Victorian era, like in many classic detective stories. This creates an atmosphere of mystery and danger. Red herrings are also common. These are false clues that mislead the detective and the reader. They add to the complexity of the plot. And the resolution at the end, where the detective reveals how the crime was committed and who the culprit is, is a key part of the convention. It should be logical and satisfying to the reader.