The narrator might also use a third-person limited perspective, focusing on one or a few characters' thoughts and feelings, while still providing an outside view of the situation.
It could be from a first-person perspective, where the narrator is a character in the story. Or it might be a third-person perspective, observing the events from outside.
It's hard to say for sure. Sometimes the narrator might not have a specific audience in mind, but is just sharing the story.
It could be to the reader. Often, narrators in novels or short stories are implicitly addressing the reader, sharing their tale as if we are the confidants.
It could be anyone depending on the rules and setup of the specific game.
It could be to a specific character within the story or to an imagined audience. It really depends on the context and the nature of the narrative.
It could vary depending on the specific worksheets. Sometimes it might be a fictional character within the story, or it could be an unnamed narrator.
The story of Beowulf is often told from the perspective of an unnamed narrator who seems to have knowledge of the events and characters.
It makes the story more engaging. Different perspectives can show different aspects of the same event, like in a courtroom drama where the lawyer, the defendant, and the witness all have their own views.
One limitation is the limited perspective. The narrator can only report what they see, hear, or know, which might mean important parts of the story are missed. For example, in a mystery, the first - person narrator might not be aware of the real culprit until the end, leaving the reader in the dark too.
The first person narrator might struggle with objectivity. They are telling their own version of the story, which may be biased. Also, it can be difficult to give a full picture of the setting and other characters without breaking the first - person perspective. For example, if they want to describe a character they just met in great detail, it might seem odd coming from a first - person view.