What is the point of view in literary fiction and filmmaking?

The point of view in fiction refers to who is telling the story. It could be a first-person narrator (I), a third-person limited (focused on one character's thoughts and feelings), or a third-person omniscient (knowing everything about all characters).

The point of view in fiction is crucial. It determines whose thoughts and feelings we have access to. It can be first person (I), second person (you), or third person (he/she/it/they). Different points of view give different flavors to the story and influence how we connect with the characters and the plot.

Johann Kristoff was a 17th-century German philosopher, poet, and dramatist. He was considered one of the founders of modern Western philosophy, literature, and drama. His works include the philosophical work The Divine Comedy, the scripture translation of the New and Old testaments, and a large number of poems, plays, and essays. The Divine Comedy was one of the most famous works of John Christoffel and was considered one of the greatest novels in the history of Western literature. It told the story of Jesus, depicting his journey of redemption and the salvation of mankind. This book had a profound influence on Western literature, religion, and philosophy and was considered a classic in the history of world literature. In addition to the Divine Comedy, other representative works of John Christoff included the Book of Job, the Book of Wisdom, and the Book of Revelation, as well as a large number of poems, plays, and prose works. His works had a profound impact on the development of Western philosophy, literature, and drama, and were regarded as one of the cornerstone of modern Western culture and thought.

From a literary point of view, a serious drama is usually defined as a serious literary form that focuses on the character, emotions, and fate of the characters, as well as the development and turning of the plot. The characters in the main drama are usually deep and complicated. Their actions and thoughts have their own internal logic and emotional ties. The plot usually contains a series of conflicts and twists that require the characters to make difficult choices to advance their destiny. The main drama was usually regarded as a more formal literary form with higher literary and artistic value. In a proper play, the author would usually use a variety of rhetorical devices and structural techniques such as dialogue, description, contrast, etc. to enhance the artistic appeal and expressiveness of the work. However, it should be noted that not all literary works have their own unique characteristics and aesthetic value.

Point of view in fiction basically refers to who is telling the story. It can be from the perspective of a single character, multiple characters, or an omniscient narrator.

The point of view in writing fiction is basically the perspective from which the story is told. It could be from the viewpoint of a single character, multiple characters, or an omniscient narrator.

The point of view in prose fiction is like the lens through which you see the story unfold. It can be first person, where the narrator is a character in the story sharing their experiences directly. Or it can be third person, where the narrator is outside the story and might have all the knowledge (omniscient) or just know about certain characters (limited). Choosing the right point of view helps shape the story's impact on the reader.

Choosing a point of view in fiction can be tricky. You need to consider the genre, the complexity of the plot, and your target audience. For example, in a mystery, a third-person limited view can add suspense. If it's a coming-of-age story, first-person could make it more intimate and relatable.

Figuring out the point of view in fiction isn't too hard. Just ask yourself: whose eyes are we seeing the story through? Is it just one character or several? That'll usually tell you. Sometimes, the author will make it obvious at the start.

The second-person point of view is not as common. It directly addresses the reader as 'you', which can be less intuitive for many stories.