Well, it's hard to give a definite amount. Political fiction isn't usually known for extensive sexual content. But when it is present, it's usually integrated in a way that supports the broader political narrative or character development rather than being the main focus.
The amount of sex in political fiction can be quite diverse. It often depends on the themes and audience the author is targeting. Some works might use it sparingly to add depth to character relationships, while others might avoid it altogether to focus more on the political aspects.
In some sex stories, forces can be depicted as the intense passion or attraction between characters. It might be shown as a strong, almost irresistible urge that drives the characters' actions and the development of their sexual encounters.
They are often depicted as large, powerful and intelligent creatures. They might have the ability to fly and breathe fire or some other form of energy. For example, in the 'Eragon' series, dragons are majestic beings with their own language and a deep bond with their riders.
Typically, parallel universes in fiction are shown as places with distinct characteristics. Some may be utopias or dystopias compared to our world. They might have different technological levels. Like in 'The Dark Tower' series by Stephen King, there are different worlds with their own rules and threats, and the concept of parallel universes is crucial to the story's structure and plot development.
Often, they are depicted as alternate realities with different versions of characters or events. For example, in 'Sliders', each parallel universe has distinct cultures, technologies, and sometimes even different physical laws.
The number of murders in fiction really depends. In crime thrillers, there could be a significant number. But in other genres, like romance or fantasy, there might be very few or none at all.
In science fiction, religious groups can be depicted as having a powerful influence on society, much like in real life. Political parties might be shown as different factions vying for control in a post - apocalyptic or alien - influenced world. For example, in some stories, a religious order could be the main governing body, or political parties could be formed around different approaches to dealing with alien races.
They are often depicted as barren, with vast sandy or rocky landscapes. There's usually little water, and the climate is extremely harsh, with intense heat during the day and cold at night. Creatures that live there, if any, are adapted to the arid conditions, like having thick skins to prevent water loss.
Typically, alien prey in science fiction can be shown in various ways. Some are made to look like defenseless animals from Earth but with a twist, such as glowing fur or the ability to fly in a vacuum. Others are presented as more intelligent than expected, which adds an ethical dimension to the idea of hunting them. They may live in complex societies or have advanced communication methods that the hunters either don't understand or choose to ignore.
Typically, alien races in science fiction are depicted in various ways. Some are humanoid with just minor physical differences like pointed ears or strange skin colors. For example, the Vulcans in 'Star Trek' are humanoid but have distinctively arched eyebrows and a strong sense of logic. Others can be completely non - humanoid, like the Goa'uld from 'Stargate' which are snake - like parasites that take over human hosts. They can also vary in their intelligence levels, from highly intelligent beings like the Time Lords in 'Doctor Who' to more primitive ones.
Pocket dimensions in fiction are like hidden, separate spaces. They can be small worlds within our own or completely different realities that characters can access. Usually, they have unique rules and properties.