Well, there's no set rule. But typically, waiting around three to four weeks is a safe bet. However, always make sure to double-check the instructions provided for the submission process.
It depends. Sometimes, waiting a few days can give you a fresh perspective. But for complex novels, a couple of weeks might be better.
It really depends. It could be a few days or even weeks. It mainly depends on your language skills and understanding of the source material.
The length of fiction submissions to The New Yorker can vary, but typically they prefer stories that are within a certain range, usually around 3,000 to 7,000 words.
It really varies. Sometimes you might get lucky and get them quickly, but often it could take a few days or even weeks depending on the popularity and availability.
It depends on the complexity of the story. Generally, a few days to a week is a good start.
It depends. Sometimes a week or two can do the trick. It gives you some distance and fresh perspective.
It can vary. Sometimes it might be two weeks, but it could also be longer depending on the publisher's guidelines.
It depends. Sometimes a few days can do the trick. It gives you some distance and fresh perspective.
There's no set time limit. If it's a bedtime story, you can let them take their time until they start to show signs of getting sleepy. During the day, it could be as long as they are interested and engaged in the story. You don't want to rush them as it helps with their concentration and love for reading.
First, focus on the character's feelings and thoughts during the wait. What are they thinking about? Are they worried about being late? Also, you could introduce some sensory details like the sounds of the traffic or the smell of the bus stop. Maybe something happens to break the monotony, like a lost pet showing up.