Where did the Black Formula come from?

The Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty. In the novel, the Black and White Impermanences were the two impermanences of the Ghost Realm, responsible for the task of capturing and releasing souls. Their image and duties were not clearly recorded in Buddhism. In addition, the Black and White Impermanence also appeared in many other literary works, operas, movies, and cartoons.

The Black and White Impermanences were a pair of gods in the Han folk culture, and they were also the most famous ghost officers. Their origins could be traced back to Chinese myths and legends. According to the legends, Black Impermanence and White Impermanence were sworn brothers. When they were in the world of the living, their names were Fan Wujiu and Xie Bi 'an. Because they had done good deeds when they were alive, they were put in an important position by the King of Hell and became messengers of death, responsible for capturing lawless ghosts. Their image was very famous in Chinese mythology and folk culture. They were depicted as reapers dressed in black and white clothes and holding shackles. Their duty was to capture ghosts and assist in rewarding good and punishing evil. They were important generals in the Underworld. Therefore, the origins of the Black and White Ghosts could be said to originate from Chinese myths and folklore.

There were many theories about the origins of the Black and White Impermanence, but the following conclusion was that the Black and White Impermanence first appeared in the ancient Chinese novel, The Four Travels, written by Wu Chengen of the Ming Dynasty. In the novel, the Black and White Impermanences were the two impermanences of the Ghost Realm, responsible for the task of capturing and releasing souls. Their image and duties were not clearly recorded in Buddhism. In addition, there were also some who believed that the name Black and White Impermanence originated from Sun Tzu's Art of War, which said that "there is no constant momentum in war, and there is no constant shape in water". However, there was no conclusive literature on the exact origin of the Black and White Ghosts, so there was no way to give a definite answer.

The Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.

The Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.

The prototype of the Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty. In the novel, the Black and White Impermanences were the two impermanences of the Ghost Realm, responsible for the task of capturing and releasing souls. Their image and duties were not clearly recorded in Buddhism. In addition, the Black and White Impermanence also appeared in many other literary works, operas, movies, and cartoons.

Black and White Impermanence were from Fuzhou.

The prototype of the Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.

Both black and white pottery were unearthed from the Longshan cultural site. The Longshan culture refers to the cultural relics of the late Neoliths in the middle and lower reaches of the Yellow River in China. It belongs to the culture of the era of copper and stone. It was first discovered in Longshan Town, Licheng County, Jinan City, Shandong Province (now Zhangqiu). After radioactive carbon dating and correction, it was dated from 2500 to 2000 B.C. It was distributed in Henan, Shandong, Shanxi, Shaanxi and other provinces in the middle and lower reaches of the Yellow River. Black pottery could be divided into three types: fine mud, mud, and sand. Among them, the production level of fine mud and thin-wall black pottery was the highest. The wall was only about 0.5-1 mm, and the surface was black and shiny, so it was called eggshell black pottery. The clay of this black pottery was washed and rolled. The thickness of the wall was only 0.5-1 mm. After polishing, it was burned into a dark and bright color. It was called "eggshell pottery". It showed amazing skills and was famous both inside and outside the country. Before the pottery of this period was fired, it was polished and processed by using clay strips to coil it. The shape of the ware was regular and the thickness of the wall was uniform. In addition to daily life utensils, there were also many types of black pottery, such as Li, beans, cups, cauldrons, basins, and pots. White pottery was a kind of pottery that was white in color. It was made of porcelain clay or kaolin, and the firing temperature was around 1000 degrees. White pottery was basically handmade. In the future, they would gradually use the clay plate method and the wheel method. White pottery appeared in the late period of the Longshan culture, during the heyday of the Shang Dynasty. In the later period of the Shang Dynasty, a large number of white pottery swallowtails were produced. The largest number of swallowtails were unearthed from the Yin Ruins in Anyang, and the workmanship was quite exquisite. In the Western Zhou Dynasty, due to the development of printed hard pottery and primitive porcelain, white pottery was no longer made. While waiting for the TV series, you can also click on the link below to read the original work of "Little Fox Demon Matchmaker" to understand the plot in advance!

Black and white pottery were unearthed from the Longshan cultural site. The Longshan culture refers to the cultural relics of the late Neoliths in the middle and lower reaches of the Yellow River in China. It belongs to the culture of the era of copper and stone. It was first discovered in Longshan Town, Licheng County, Jinan City, Shandong Province (now Zhangqiu District). After radioactive carbon dating and correction, the age was between 2500 B.C. and 2000 B.C.(4000 years ago). It was distributed in Henan, Shandong, Shanxi, Shaanxi and other provinces in the middle and lower reaches of the Yellow River. While waiting for the TV series, you can also click on the link below to read the original work of "Little Fox Demon Matchmaker" to understand the plot in advance!