What are the four tragedies of Yuan Qü?

Yuan Qu referred to the operas of the Yuan Dynasty, namely Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu. There were four tragedies in their opera works: Bai Pu's "Tianjing Sand·Autumn Thoughts", Ma Zhiyuan's "Han Palace Autumn", Zheng Guangzu's "Chinese Ghost Story" and Bai Pu's "Wutong Rain". The four great love dramas referred to the works that depicted love in the Yuan Dynasty. They were Guan Hanqing's "Lord Bao's Confession," Bai Pu's "The Wall's Horses," Zheng Guangzu's "A Chinese Ghost Story," and Ma Zhiyuan's "Tianjing Sha·Autumn Thoughts."

The pithy formula for the four tragedies of the Yuan Dynasty was 'My Son Cries for Injustice,' which referred to Bai Pu's 'Wutong Rain', Ji Junxiang's' Zhao's Orphan,'Ma Zhiyuan's' Han Palace Autumn 'and Guan Hanqing's' Dou E's Injustice.' The pithy formula for the four great love dramas of the Yuan Dynasty was the joy of leading a horse, which referred to Zheng Guangzu's "Qian Nv Li Hun", Bai Pu's "Wall Head Horse", Wang Shifu's "West Chamber" and Guan Hanqing's "Moon Worship Pavilion".

The authors of the four tragedies of the Yuan Dynasty were Guan Hanqing, Ma Zhiyuan, Bai Pu, and Ji Junxiang. The authors of the four great romance dramas were Guan Hanqing, Wang Shifu, Bai Pu, and Zheng Guangzu.

Yuanqu was a literary form of the Yuan Dynasty (1271-1368), which belonged to the category of Mongolian literature and art. Like Yuan Zhen's Ci, Bai Juyi's Fu, Su Shi's Ci and other literary forms, Yuan Qu was also a literary form promoted and advocated by the rulers of the Yuan Dynasty. Yuan Qü originated from the Mongol region and later spread to the Central Plains. In Yuan Qu, the strong musical nature was often accompanied by dance, singing and other forms of performance, which had a unique musical style and performance form. Yuan Qü mainly spread on the stage of opera in the Yuan Dynasty, such as Liyuan, Xiqu, Xiaoling, etc. There were many forms of Yuan Qu, such as long tune, short order, zhezi opera, etc. Changdiao was often used to describe scenery, narrate historical events, and express emotions; Xiaoling was often used to express the character, psychology, and feelings of the characters; Zhezi opera was a short and concise literary form, often with the story plot and character image as the theme. The representative works of Yuan Qü included Chinese classical novels such as Journey to the West, Water Margins, and Dream of the Red Chamber, as well as works by Yuan Qü writers such as Ma Zhiyuan, Bai Pu, and Zheng Sixiao.

The authors of the four tragedies of the Yuan Dynasty were Guan Hanqing, Ma Zhiyuan, Bai Pu, and Ji Junxiang. Guan Hanqing was one of the four great writers of Yuan Qü, and his representative work was Dou E Yuan. Ma Zhiyuan was also one of the Four Great Yuan Dynasty Artists. His representative piece was Autumn in the Han Palace. Bai Pu was one of the four great masters of Yuan Qü, and his representative work was Rain of the Parasol Tree. Ji Junxiang was one of the four great masters of Yuan Qü, and his representative work was " The Orphan of Zhao." These four authors made great achievements in the creation of operas in the Yuan Dynasty. Their works had unique artistic value in describing characters, plot development and social reflection.

The four tragedies of the Yuan Dynasty were Dou E's Injustice, Zhao's Orphan, Liang Shanbo and Zhu Yingtai, and the Legend of the White Snake. Dou E's Injustice tells the story of Dou E who was wronged and imprisoned and finally avenged after going through many hardships. " The Orphan of the Zhao Family " was a story about the Orphan of the Zhao Family, who was involved in a conspiracy because of his own background. "Liang Shanbo and Zhu Yingtai" tells the story of Liang Shanbo and Zhu Yingtai, who are willing to pay any price for love, but in the end, they still can't be together. The Legend of the White Snake tells the story of the White Lady, who went through countless hardships to save her husband, Xu Xian.

The four tragedies of the Yuan Dynasty were Guan Hanqing's Dou E Yuan, Ma Zhiyuan's Han Palace Autumn, Bai Pu's Wutong Rain, and Ji Junxiang's Zhao's Orphan. The four great romance dramas were Guan Hanqing's Moon Worship Pavilion, Wang Shifu's The West Chamber, Bai Pu's The Wall Horses, and Zheng Guangzu's A Beautiful Woman's Soul. These plays displayed the unique charm of Yuan Zaju through vivid plots and rich characters. Tragedy plays revealed the darkness of society and the tragic fate of individuals, while love plays emphasized the power of love and the complexity of human nature. These plays played an important role in the history of Chinese opera and had a far-reaching impact on the creation and cultural inheritance of later generations.

Yuan opera was a kind of opera art form that rose in the Yuan Dynasty. It was one of the peaks of Chinese traditional opera and an important part of the world's cultural and artistic treasure house. Yuan Qu originated from the Yuan Dynasty and was popular in the Ming and Qing Dynasties. Yuan Qu had many forms, including comedy, tragedy, legend, and drama. Among them, comedy was the most developed. The language of Yuan Qü was easy to understand and the music was beautiful and moving. It often used symbols, metaphor, exaggeration and other techniques to have distinct personality characteristics and characters. The plots of Yuan Qü were complicated and varied, often showing social life, historical events and characters with strong social criticism and patriotic spirit. There were many famous songs in the Yuan Dynasty, such as Journey to the West, Water Margins, Dream of the Red Chamber and other dramatic versions of novels, which were regarded as one of the treasures of Chinese literature. Yuan Qü played an important role in the history of Chinese culture and art, and had a profound influence on later generations of opera, novels, music, painting and other artistic forms.

Yuanqu was a combination of traditional Chinese music and literature. It was one of the literary forms of the Yuan Dynasty (1271-1368) and was mainly popular in the north. Yuan Qu originated from the Han folk art of rap and developed in the Yuan Dynasty as a branch of Chinese literary history. Yuan Qü usually consisted of two parts: tune and lyrics. The tune was the main instrument of the Yuan Dynasty, usually the erhu, banhu, pipa, etc. The lyrics were composed of lyrics and tune. Ci was the literary form of Yuan Qü and the main means of expression in Yuan Qü. The language of Yuan Qü was concise and bright, often using slang, spoken language and dialect, which had a unique local color and style. In terms of music, Yuan songs were usually performed in the form of rappers. The rappers often sang in spoken language with drums, tunes and other musical elements to make Yuan songs more lively and lively. The representative works of Yuan Qü, including Dream of the Red Chamber, Journey to the West, Water Margins, etc., not only made great achievements in literature, but also had a far-reaching influence on music and opera. Yuan opera is an important branch of traditional Chinese literature. It has a unique artistic charm and cultural content, which has a far-reaching impact on Chinese literature, music, opera and other fields.

The four great writers of the Yuan Dynasty were Bai Pu, Zheng Sixiao, Ma Zhiyuan, and Zhao Mengfu. They were known as the four great writers of the Yuan Dynasty. Their representative works were: 1 Bai Pu: "Tianjing Sand·Autumn Thoughts" 2 Zheng Sixiao: "On the Wall" 3. Zhao Mengfu: "The River is Red, Writing Thoughts"