There were several reasons why the floor in the TV series celebrating the New Year was wet. First of all, in order to give the audience a better visual experience, the entire floor was wet to make the distant and close-up picture more harmonious, to prevent the defects of the floor from being revealed, and to make the overall picture more unified. Secondly, the wet floor had a better texture. It could reflect the colors of the surrounding objects and make the picture more full. Besides, the plot took place in the south, and it often rained in the south, so it was not surprising that the ground was wet. Such a setting could better integrate the audience into the plot. In general, the wet floor was to match the plot setting and increase the visual effect.
The wet floor in the drama was to give the audience a better visual experience. First of all, the entire floor was wet to make the scene more harmonious, to prevent the defects of the floor from being revealed, and to make the whole picture unified. Secondly, the wet floor looked more realistic and beautiful, adding to the atmosphere of the entire drama. In addition, the wet floor could reflect the color of the surrounding objects, making the floor look more full. All of this was to enhance the audience's visual enjoyment and the quality of the series.
There were several reasons for the wet floor in the TV series celebrating the New Year. First of all, the wet floor could reflect the colors of the surrounding objects, making the overall picture more full and harmonious. Secondly, the wet floor could cover the defects of the floor and improve the overall visual effect. In addition, the wet floor looked more realistic and could increase the enjoyment of the show. Finally, the story of the celebration took place in the south. It often rained in the south, so the setting of the wet ground was more in line with the plot setting, allowing the audience to better immerse themselves in the plot. In general, the wet floor was used to improve the visual effect and increase the realism of the plot.
Qing Yu Nian's seventh volume, chapter 39, was " The True Joy in Front of the Hall ". Chapter 40 of the seventh volume was " One Emperor, One Courtier ".
Qing Yuannian's fifth volume, chapter 74, was a chapter in Qing Yuannian's novel. This chapter described a carriage slowly moving in the cold of winter. Fan Xian and Gao Da sat in the carriage, surrounded by Overwatch Council swordsmen protecting them. Fan Xian was training his body, while Deng Zi Yue and Gao Da found his actions strange.
Chapter 31 of the seventh volume of Qing Yu Nian was about the story of Fan Xian and Wei Hua, the two heads of the secret service. They drank and chatted together, reminiscing about the past outside the capital. This chapter described their friendship and memories.
Chapter 39 of the seventh volume was a chapter in the novel " Celebrating Years ". The name of this chapter was " The True Joy in the Hall ". However, the search results did not provide any specific chapter content or summary. Therefore, he could not provide more information about this chapter.
Qing Yunian's seventh volume, chapter 35, was 'The Woman in the Mountain and the Emperor's Heart'. In this chapter, the Northern Qi Emperor personally participated in Sigu Jian's Sword Hut opening ceremony. Even though this was the last time Sigu Jian would appear in the world, this Hut Meeting was very important to Northern Qi because it would determine the ownership of Dongyi. Fan Xian also appeared in this chapter. He observed the Emperor's actions from behind the curtains. Other than this information, the contents of the other documents had nothing to do with this question.
Chapter 53 of the seventh volume of Qing Yu Nian was about discussing relatives and merits. In this chapter, there was a rebellion in the Qing Kingdom's Jingdou, causing many of the masters in the palace to die. The chaos in the palace made the relationship in the palace simpler, and the overall atmosphere became solemn and direct. The Empress and the Empress Dowager had both passed away, and the Emperor did not seem to have any plans to establish a new heir. The specific content and plot of this chapter were not described in detail in the search results given.
Qing Yuannian's seventh volume, chapter 73's specific content could not be found from the search results provided.
Qing Yu Nian's seventh volume, chapter 39, was " The True Joy in Front of the Palace ", while chapter 40 was " One Emperor, One Official ". The search results did not provide any information about the specific content and summary of these two chapters.